It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 30, 2014, 09:56 AM
http://www.creativebloq.com/3d/behind-scenes-i-fra...
Despite it bombing at the box office, Stuart Beattie's Australian-American fantasy action film I, Frankenstein boasts some seriously impressive visual effects.
May 30, 2014, 09:54 AM
http://www.borisfx.com/videos/BCCAE/BCC-Laser-Beam...
Paul Ezzy introduces you to BCC Laser Beam - new to BCC 9. In this tutorial, learn how to use BCC Laser Beam to create a quick and easy write-on in Adobe After Effects that uses AE's built-in cameras and lights to drive the effect. Plus, manipulate BCC Laser Beam's parameters, including: light strobe, motion blur, smoke, and target layer. Stay tuned for BCC Laser Beam Write-On Effect: Advanced.
May 30, 2014, 09:54 AM
http://www.borisfx.com/videos/BCCAVX/Transformers-...
Inspired and excited by the upcoming new Transformers movie, Paul Ezzy teaches you how to create the metallic rusty texture of the logo in less than six minutes in Avid Media Composer thanks to the new BCC Grunge filter in BCC 9. Plus the new GPU-accelerated BCC Fast Film Glow makes adding glows quicker than Megatron transforming.
May 30, 2014, 09:53 AM
http://www.borisfx.com/videos/BCCAVX/BCC9-AVX-FX-B...
Meet the brand new FX Browser™ for BCC 9 AVX. Kevin P. McAuliffe walks you through the interface and shows you just how quickly it will become your go-to for creative inspiration and workflow efficiency.
May 30, 2014, 09:53 AM
http://www.borisfx.com/videos/BCCAE/BCC9-AE-FX-Bro...
Meet the brand new FX Browser™ for BCC 9 AE. Kevin P. McAuliffe walks you through the interface and shows you just how quickly it will become your go-to for creative inspiration and workflow efficiency.
May 29, 2014, 02:42 PM
http://www.business-standard.com/article/pti-stori...
Imagine watching a movie with a friend on the same screen where you have the villain's perspective and they have the hero's point of view! A Canada based company has designed smart 3D glasses that can enable the user to select from multiple versions of an image stream on the same screen.
May 28, 2014, 09:57 AM
http://www.artofvfx.com/?p=8066
Lou Pecora began his career in the VFX more than 17 years ago. He joined Digital Domain in 2000. He worked on projects such as I, ROBOT, PIRATES OF THE CARIBBEAN: AT WORLD’S END, TRANSFORMERS: REVENGE OF THE FALLEN or IRON MAN 3.
May 28, 2014, 09:56 AM
http://www.borisfx.com/videos/BCCAE/BCC-9-New-Tran...
Eran Stern (Stern FX) gives you a shot-by-shot breakdown of a 30-second travel/tourism spot. You'll see the original piece without filters, then rebuild it with BCC 9 in Adobe Premiere Pro CC. Find out what his favorite new transitions are, how easy the single-track auto-animating transitions are to apply (drag & drop!), and how to adjust ease-in and ease-out using the HUD (heads-up display). In addition, BCC Lens Correction quickly gets rid of the fish eye distortion of the Go Pro footage ...
May 28, 2014, 09:56 AM
http://www.btlnews.com/crafts/post-production/rode...
Rodeo FX relies on both cineSync Pro and Frankie for its postproduction work on feature films, TV shows and commercials, including the movie Birdman, to be released by New Regency later this year. The Montreal-based VFX studio has created a collaborative workflow that relies on these review-and-approval tools for its work with clients and creatives around the world. Using cineSync Pro and Frankie, Rodeo FX is able to work even when the production company, director, ad agency and other creati...
May 28, 2014, 09:56 AM
http://www.postmagazine.com/Press-Center/Daily-New...
ATLANTA — Method Studios Atlanta (www.methodstudios.com), the Georgia-based unit of Deluxe’s global visual effects company, has added veteran effects artist Glen Bennett and producer Natalia Wrobel to its roster of local talent. Method Atlanta provides a broad range of VFX services to commercial and TV productions. Bennett has been named as senior visual effects supervisor at the effects house and Wrobel as visual effects producer.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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