To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
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10 Free After Effects Scripts
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http://www.premiumbeat.com/blog/free-after-effects...
Download these 10 free After Effects scripts! The post 10 Free After Effects Scripts appeared first on Premiumbeat.com.
Attend a Panel Discussion About the Merging of Pro
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The evolution of digital production has brought about a cosmic shift in the “traditional roles” of Production and Post. No longer separated by time and distance, now many aspects of Post are done almost simultaneously to production and very often right on...
London International Awards LIAs: Two Pauls, Two A
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http://roosterpost.wordpress.com/2014/11/03/london...
The winners from the 2014 London International Awards have been announced! Congratulations go out to editor Paul Proulx and director Tamir Moscovici on winning GOLD for Sony PlayStation’s Gran Turismo film “KAZ: Pushing the Virtual Divide” in the Branded Documentary … Continue reading →
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http://www.edaeditores.org/bars-2014-premio-eda-a-...
La EDA entregará un premio a “Mejor Edición” a los nominados del 15 del Festival Buenos Aires Rojo Sangre por Competencia Internacional de Cortometrajes. El premio consistirá en una placa trofeo y consultoría de edición a cargo de Guille Gatti (EDA). La consultoría se llevará a cabo durante 4 encuentros, en los que se cubrirán aspectos narrativos […]
Villain Vignettes #31: Rasputin
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http://www.rotoscopers.com/2014/10/31/villain-vign...
Happy Halloween, everyone! For the last month, we’ve been profiling a different Animated Villain every single day. Today is the last day and we hope you’ve enjoyed reading our Villain Vignettes as much as we’ve enjoyed writing them. To culminate our villainous month, we offer you an article about one of the truly great Disney Villains of all time: Rasputin.
Aja’s Io XT Used on Filmage: The Story of Descen
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Filmage: The Story of Descendents/All began as a passion project for a group of creatives working at Dallas-based post house CharlieUniformTango (CUT), and quickly evolved into a full-fledged documentary production. Within four years, the film's directors Deedle LaCour and Matt Riggle, along with editors Justin Wilson and James Rayburn, had traveled the world, combining a love for old-school punk music with filmmaking skills to deliver an indie flick that recounts the history and influence ...
C4D’s NOTA Effector Makes a Comeback With a New
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The Old Cinema 4D NOTA Tag sees a new life as a full blown plugin, allowing you to manage complex MoGraph animations in C4D Procedurally
Getting out of bed this morning
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9 Tips for Stabilizing Handheld Footage
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https://www.videoguys.com/Blog/E/9+Tips+for+Stabil...
Sometimes you just can’t shoot on a tripod. Heading to the set or into the field without a tripod? Getting beautiful handheld shots can be a difficult challenge – the recent influx of camera stabilizers and Steadicam equipment is a testament to that. Thinking out your approach to handheld shooting and taking several of the approaches listed below can significantly minimize camera shake.
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