To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Beware the Frankenbite

October 27, 2014, 04:44 AM

http://www.thepoweredit.com/beware-the-frankenbite...

One week closer to Halloween; time to discuss another character in our lineup of editorial monsters and ghouls. Unlike Dracula the Multitasker, whose mere presence guarantees horrific outcomes, today’s editorial monster is not as black and white in its effect. Let us cautiously consider… the Frankenbite. If you’re not familiar with the word, it’s a […]

Adobe Anywhere for video 2014.1

October 27, 2014, 04:44 AM

http://provideocoalition.com/ryoung/story/adobe-an...

Adobe Anywhere for video is an enterprise-only solution that serves collaboration and remote workflows with version tracking and project sharing for broadcasters and large facilities using Creative Cloud. This workflow lets you edit real-time without dropping a frame via fast WiFi on a Premiere Pro 4K timeline using original 5K .r3d files from remote server on a Macbook Pro. Adobe Anywhere was recently updated, and some new explanatory videos are available.

Independent Filmmakers of the Inland Empire Has a

October 27, 2014, 04:44 AM

http://wordpress.quintessentialstudios.net/?p=797

From the beginning, finding a place to meet for IFIE (Independent Filmmakers of the Inland Empire) has been a challenge. Last month The Art Institute of California – Inland Empire reached out to us and offered their facilities to us for our November meetup. I toured the space and it is awesome. I had no [...]

The iMac With Retina 5K Display: An Editor's Affo

October 27, 2014, 04:43 AM

http://www.redsharknews.com/post/item/2127-the-ima...

Guest author Daniel G. Roberts breaks down the value of a new iMac 5K against a Mac Pro system, in terms of Geekbench scores and specs. iMacimac 5KAppleEditingpostdellDell 5KMac ProGeekbench

Behind the Scenes on Gone Girl

October 27, 2014, 04:43 AM

http://blogs.adobe.com/richardcurtis/?p=3761

Hollywood blockbuster Gone Girl was edited entirely in Adobe Premiere Pro CC. The workflow used by David Fincher and his post-production team offers insights into the evolution of filmmaking today. Working interactively, with editorial and visual effects tightly linked, the team was able to shape the 6K source footage into a cinematic masterpiece. Hear how they did it. Watch the behind the scenes interveiew here LEARN MORE about the Adobe Creative Cloud pro video tools: http://a...

You can do it! VFX unveils Nexus DBR for 3ds Max

October 27, 2014, 04:43 AM

http://www.cgchannel.com/2014/10/you-can-do-it-vfx...

An early demo video for Nexus DBR: developers Artur Leão, Daniel Santana and Jonathan de Blok’s new distributed rendering plugin for 3ds Max. The footage was rendered in real time on a 30-render-node network.

ICA 101: An Intro to Colorist Strategies with Reso

October 27, 2014, 04:42 AM

https://events.creativecow.net/event/3737/ica-101-...

A great introduction to Resolve Mac V11 software. This class is ideal for first time users, you do not need to be a Colorist or have had previous grading or Resolve experience. The class mixes the operational side of Resolve with some practical real world training on workflows, basic color theory, grading approaches and techniques.

2 Ways to Make Hand Poses STAND OUT

October 27, 2014, 04:42 AM

http://www.animatorisland.com/2-ways-to-make-hand-...

Today we have two little tweaks for you that are guaranteed to make your hand poses more interesting to look at. Find out how to break symmetry by grouping the fingers and spice up the shapes by mixing angles in these illustrated examples.

Adobe After Effects Level III

October 27, 2014, 04:42 AM

https://events.creativecow.net/event/3744/adobe-af...

This two-day advanced class will help you achieve better results from this comprehensive application. Building on concepts from After Effects Level 1 and Level 2 classes, this course covers all about alphas (straight vs. pre-multiplied alphas, working with Photoshop and Illustrator and vector paint) and advanced formatting and rendering (video, interlaced footage and fields, 3:2 pulldown, pre-rendering and proxies, as well as advanced rendering plus network rendering)

Behind the Scenes on Gone Girl

October 27, 2014, 04:42 AM

https://www.aotg.com/behind-the-scenes-on-gone-girl-2/

Hollywood blockbuster Gone Girl was edited entirely in Adobe Premiere Pro CC. The workflow used by David Fincher and his post-production team offers insights...

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