To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

David Leonard Cuts Al Pacino's Film, Wilde Sa

October 21, 2011, 03:34 PM

http://blog.digitalcontentproducer.com/briefingroo...

Editor David Leonard recently completed cutting Al Pacino’s Wilde Salome at Wild(child) Editorial in New York. The film, which recently premiered at The Venice Film Festival to a standing ovation, skillfully weaves together stunning cinematography with documentary-style footage to create a complex and illuminating examination of Wilde, the man, and Salome, his once-banned play about illicit love and brutal revenge.

Emulate HDR in FCPX

October 21, 2011, 03:32 PM

http://www.fcp.co/final-cut-pro/news/613-emulate-h...

A headline writers dream, not the name of the product but the opportunity was far too good to miss! ISP from Japan have updated their Film Color like HDR plugin to work with Final Cut Pro X.

DigitalFilm Tree's Woodard talks DaVinci

October 21, 2011, 03:28 PM

http://www.fcp.co/final-cut-pro/news/614-digitalfi...

There has been a huge buzz on the Internet since it was announced that BlackMagic Design's DaVinci Resolve 8.1 would take FCPX projects. Patrick Woodard gives us half an hour of how he grades using the application.

ShootersNYC Editor Anthony Marinelli Goes On

October 21, 2011, 03:26 PM

http://www.btlnews.com/news/shootersnyc-editor-ant...

A new branded content web viral video called 'Daytona Roadtrip,' edited by Anthony Marinelli of the creative production/post house ShootersNYC – currently seen on the Pepsi Max website and its Facebook and YouTube pages – teams NASCAR driver Jeff Gordon with 'Max,' the Pepsi Max truck driver on a series of humorous vignettes as they drive the Pepsi Max truck to Daytona Beach, Florida, site of the Daytona 500. The nearly three-minute long piece was created by agency TracyLocke, Wilton, CT...

Review: Avid Media Composer 5.5 with ScriptSync

October 21, 2011, 03:23 PM

http://photo.it-enquirer.com/2011/10/20/review-avi...

Media Composer is Avid's Non-Linear Editing (NLE) suite for video and film post-production. It's one of the four heavy weights next to Final Cut Pro, Lightworks, and to a lesser degree Adobe Premiere. Media Composer is a total solution for editors: it has powerful video editing capabilities, but also powerful integrated audio tools, and even special effect capabilities.

The adventures of Kars and Gretig

October 21, 2011, 03:19 PM

http://avidassteditor.com/2011/09/23/the-aedventur...

October 21, 2011, More Adventures of Kars and Gretig, editing's comic series.

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