To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

[Frame of Reference] with Editor Brannon Shiflett

October 13, 2014, 09:32 AM

http://twainthestoryteller.com/frame-of-reference-...

Brannon Shiflett was born in ’77, the year Star Wars: A New Hope was released. Brannon grew up with a steady diet of Star Wars, Indiana Jones, Goonies, Flash Gordon, Krull, and MTV showing music videos. “In High School I got some weird box from Radio Shack that let you edit from VCR tape to […]

Fixel Contrastica 2 for Ae Boosts Local & Global C

October 13, 2014, 09:32 AM

http://lesterbanks.com/2014/10/fixel-contrastica-2...

Fixel Contrastica offers a simple and more effective way to enhance image and video contrast that can easily bring out details within the visual tonal range

Motion Magic in 5 Minutes: How to Create Swarming

October 13, 2014, 09:32 AM

https://www.aotg.com/motion-magic-in-5-minutes-how-to-create-swarming/

In this episode, Mark will show you how to make an animated swarm of bats using a particle emitter. You'll then control the path of the bats and their birth ...

FCPX in Under 5 Minutes: Time-lapse Workflow

October 13, 2014, 09:32 AM

https://www.aotg.com/fcpx-in-under-5-minutes-time-lapse-workflow/

Many of you shoot time-lapse with your DSLR’s, GoPro cameras and iDevices. Whatever camera you’re using to capture your images, Steve will show you how work ...

Anevia Adds MPEG DASH Multi DRM

October 13, 2014, 09:32 AM

http://www.tvtechnology.com/article/anevia-adds-mp...

PARIS—Anevia has enabled ViaMotion to support streaming media with conventional HTTP web servers. The new multiple digital rights management, or multi-DRM, capability also being integrated into ViaMotion. It is said to enable high-level protection against unauthorized access to subscriber-based streamed television services.

The Career of Paul Thomas Anderson in Five Shots

October 13, 2014, 09:31 AM

https://www.aotg.com/the-career-of-paul-thomas-anderson-in-five-shots/

Featured in Sight & Sound magazine: http://www.bfi.org.uk/news-opinion/sight-sound-magazine/features/video-steadicam-progress-career-paul-thomas-anderson-five

Next Meeting: November 12th, 2014 @ 7pm

October 13, 2014, 04:35 AM

http://lappg.com/next-meeting-november-12th-2014-7...

What Investors Want to Know, and What You Need to Tell Them Louise Levison, author of “Filmmakers and Financing: … Read more

Gone Girl goes from raw 6K footage to Hollywood th

October 13, 2014, 04:35 AM

http://blogs.adobe.com/richardcurtis/?p=3679

Two-time Academy-winning editor Kirk Baxter, ACE, discusses how Premiere Pro and other Adobe apps like After Effects give him a powerful editing and post-production toolset. See how the tight integration of Adobe video apps helped Baxter and team turn the raw footage of David Fincher’s thriller Gone Girl into a polished motion picture. LEARN MORE: bit.ly/1pS3LlD

A Q and A with Experienced Adobe Anywhere Users

October 13, 2014, 04:35 AM

http://provideocoalition.com/pvcexclusive/story/a-...

Every since Adobe Anywhere was announced, editors and producers alike have had questions about how it could and would be utilized. Some were encouraged by the concept of real-time collaboration between editors, while others were skeptical about the logistics of such a process. Our very own...

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