It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 16, 2020, 01:51 PM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK CITY — Nice Shoes (www.niceshoes.com) had added colorist Nicholas Lareau to its roster. He joins the creative production studio following a successful run at Light Iron, and two years further building his reel as a freelancer.
December 16, 2020, 01:51 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — Cabin Editing Company (http://cabinedit.com), a creative editorial studio, has added three new editors to its roster. Robert Lopuski, Mischa Meyer and Jojo King all join the Cabin team, whose remote capabilities allow them to service clients across the US and internationally. Additionally, Cabin has added new representation in the Midwest, with Baer Brown Reps, and on the East Coast, with Hunky Dory.
December 16, 2020, 01:51 PM
https://lesterbanks.com/2020/12/create-an-explosio...
Resilient Picture Company shows how you can make an explosion with trails using sparse solvers. Check out this tutorial series from Krishna Bala (Resilient Picture Company) that shows how to work with the sparse solver
December 16, 2020, 01:51 PM
https://lesterbanks.com/2020/12/getting-started-wi...
The Blender Tutor covers all the settings for each part of fluid simulations in Blender. If you are looking to get started with Blender’s Mantaflow, check out this new fundamentals run-through by the Blender Tutor, Thomas
December 16, 2020, 01:50 PM
https://postperspective.com/cabin-edit-grows-with-...
LA-based editorial house Cabin Editing Company has added three new editors to its roster: Robert Lopuski, Mischa Meyer and Jojo King. The additions are in response to Cabin’s recent growth as remote capabilities are allowing the company to service new clients across the US and the globe. Lopuski, who works in Adobe Premiere, Continue reading → December 15, 2020 The post Cabin Edit Grows With Three New Editors appeared first on postPerspective.
December 16, 2020, 01:50 PM
https://postperspective.com/review-sennheiser-mke-...
By David Hurd Sennheiser and I go way back. In the 1970s, I had a sound company in Los Angeles, and I used their mics to mic-up bands for concerts. In the years since, I have used many of their products, and have always had a good experience. In fact, the G1 and G2 series RF mics are my favorites for video production, Continue reading → December 15, 2020 The post Review: Sennheiser MKE 200 On-Camera Mic appeared first on postPerspective.
December 16, 2020, 01:50 PM
https://www.fcp.co/final-cut-pro/news/2353-apple-u...
We thought it wouldn't take long before updates were released to the Apple Silicon compatible Pro Apps. Final Cut Pro and Compressor get an extra feature and stability improvements. Big Sur and iMovie get some love too. We also have a new Apple Wsupport article on sharing.
December 16, 2020, 01:50 PM
https://www.themill.com/stories/30-years-of-the-mi...
To celebrate ‘30 Years Of The Mill’ we are turning our focus to the extraordinary people behind our creativity. We asked a snapshot of 30 Makers from across The Mill to share their most inspiring projects from the past, alongside their future-facing insights on the advertising industry and evolution of creative technology. Next up we have Real-Time VFX Creative Director, Russell Tickner who delves into the fearless nature of Levi's 'Drug Store' and how technology will change the way we work ...
December 16, 2020, 01:50 PM
https://www.themill.com/stories/30-years-of-the-mi...
To celebrate ‘30 Years Of The Mill’ we are turning our focus to the extraordinary people behind our creativity. We asked a snapshot of 30 Makers from across The Mill to share their most inspiring projects from the past, alongside their future-facing insights on the advertising industry and evolution of creative technology. Read below to find out what inspired Head of Colour, Fergus McCall to join The Mill in its infancy and why investing in youth and talent is integral.
December 16, 2020, 01:50 PM
https://fstoppers.com/mobile/what-apple-proraw-loo...
The new photo file format is available for iPhone 12 Pro and iPhone 12 Pro Max, but what is it and what exactly does it do?
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2025 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.