To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Entrevista a Jorge Mochón

September 23, 2014, 12:37 PM

http://saeditores.org/Novedades/Entrevista-a-Jorge...

A pocos días de dictar el curso Premiere Pro CC a fondo, Jorge Mochón nos cuenta en esta entrevista sobre sus comienzos en el mundo de la postproducción, su relación con la enseñanza y, especialmente, su visión sobre la evolución y futuro de los softwares de edición.

5 Things: Adobe Anywhere

September 23, 2014, 12:36 PM

http://5thingsseries.com/adobe-anywhere/

New Web Series: 5 Things. Answering 5 Things about technology and workflows in the media creation space. Episode 1: Adobe Anywhere. What is Adobe Anywhere? How Does Adobe Anywhere work? How does Adobe Anywhere perform? How can I get Adobe Anywhere? How much does Adobe Anywhere cost?

Avid generated $135M in Q1 revenue, seeks Nasdaq r

September 23, 2014, 12:36 PM

http://www.bizjournals.com/boston/blog/techflash/2...

Avid said it generated $135 million in revenue in its first quarter this year, down slightly from the $136.1 million it generated during the same period in 2013.

Sound Design Inspiration from Outer Space

September 23, 2014, 12:36 PM

http://designingsound.org/2014/09/sound-design-ins...

A few months ago I came across a Twitter post made by Stephan Schütze (a recent Designing Sound contributor) that continues to resonate with me (no pun intended) and I wanted to share it with anyone in the sound design community that has yet to hear these sounds.

USB 3.1 Type C Connectors to Support Display Ports

September 23, 2014, 12:36 PM

http://www.legitreviews.com/usb-3-1-type-c-connect...

NEWARK, CA (22 September 2014) – The Video Electronics Standards Association (VESA), working in liaison with the USB 3.0 Promoter Group, today announced the publication of the DisplayPort Alternate Mode (“Alt Mode”) on USB Type-C Standard. Using the DisplayPort Alt Mode, a USB Type-C connector and cable can deliver full DisplayPort audio/video (A/V) performance, driving monitor resolutions of 4K and beyond, SuperSpeed USB (USB 3.1) data and up to 100 watts of power–over a single cable. T...

Michael Berenbaum, ACE Discusses "Barton Fink" Par

September 23, 2014, 12:35 PM

https://www.youtube.com/watch?v=9KlI9cKs7zY

Editor Michael Berenbaum, ACE discusses the manipulation of individual shots as seen in "Barton Fink." This video was produced by Manhattan Edit Workshop and...

TMNT: Pablo Helman – VFX Supervisor – ILM

September 23, 2014, 12:35 PM

http://www.artofvfx.com/?p=9407

Before joining ILM in 1996, Pablo Helman has worked on films like APOLLO 13 or INDEPENDENCE DAY. At ILM, he worked on films such as MEN IN BLACK, DEEP IMPACT or SAVING PRIVATE RYAN. As VFX Supervisor he took care of movies like TERMINATOR 3: RISE OF THE MACHINES, WAR OF THE WORLDS, INDIANA JONES AND THE CRYSTAL SKULL or BATTLESHIP.

Quicktips: Audio Editing!

September 23, 2014, 12:35 PM

https://www.aotg.com/quicktips-audio-editing/

Tips on audio editing! **New Episodes Of Film Riot Every Monday and Thursday** Like, Favorite and SHARE today's episode!

Aaron Yanes, ACE Getting Inside of Mike Tyson's He

September 23, 2014, 12:35 PM

https://www.youtube.com/watch?v=300xdiWc_bU

EditFest NY 2011 - Aaron Yanes, A.C.E. Discusses a Scene from the Film "Tyson". For more information on Editfest please go to www.editfest.com. Aaron Yanes, ...

QueueMaster Automates the After Effects Render Que

September 23, 2014, 12:33 PM

http://lesterbanks.com/2014/09/queuemaster-automat...

The Render Queue in Ae could stand a bit of love from the development team over at Adobe. Certainly it is fine the way that it is, but it could be so much more. As a brilliant example of how it could be better, Dave Jacobson launches his new script for After Effects, QueueMaster, which […]

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