It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 5, 2014, 04:34 AM
http://www.scriptmag.com/features/legally-speaking...
Continuing on from part one, we’ll look more closely into the legal and business issues that arise from representation by either a Union or a Guild. Most of the following applies pretty much equally whether the representation is Union or Guild (hence the nomenclature adopted below, Union/Guild.) Hopefully you remember the distinction from the last time. Will there be a test? It depends…
September 5, 2014, 04:34 AM
http://news.creativecow.net/story/876975
(Culver City, California--September 4, 2014) Colorworks provided picture restoration and re-mastering services for a spectacular new 4K version of Ivan Reitman’s 1984 comedy classic "Ghostbusters." Sony Pictures re-released the feature, one of the most beloved comedy titles in its library, over the Labor Day weekend to theaters across the U.S. and Canada in celebration of its 30th anniversary. Sony Pictures Home Entertainment will release the restored film in a 30th Anniversary Blu-ray special...
September 4, 2014, 08:33 PM
https://www.aotg.com/xytech-partners-with-unlimi-tech/
Xytech Partners With Unlimi-Tech Enabling Accelerated File Transfers Integration of FileCatalyst Technology with MediaPulse Platform Seamlessly Speeds File Delivery
#file transfer solution#facility management software#media industry#broadcast industrySeptember 4, 2014, 05:20 PM
http://www.postmagazine.com/Press-Center/Daily-New...
CULVER CITY, CA — Colorworks recently provided picture restoration and re-mastering services for a new 4K version of Ivan Reitman’s 1984 comedy classic, Ghostbusters. Sony Pictures re-released the feature over the Labor Day weekend to theaters across the US and Canada in celebration of the film’s 30th anniversary. Sony Pictures Home Entertainment will release the restored film in a 30th Anniversary Blu-ray special edition on September 16.
September 4, 2014, 05:20 PM
http://www.digitalproductionbuzz.com/2014/09/digit...
On the Digital Production Buzz, Larry Jordan and Michael Horton talk with guests Joel Stoner, Patricia Siqueriros, and Cathy Aron: Manage Massive Quantities of Content with Studio Suite Using Creativity to Encourage At-risk Kids to Continue School Managing Digital Media Assets and Protecting Copyright
September 4, 2014, 05:19 PM
http://provideocoalition.com/news/story/boris-fx-a...
Boris Continuum Complete 9 (BCC) Units are now available from Boris FX, the leading developer of integrated VFX and workflow technology for video and film. The sixteen Units include new filters, features, and speed improvements from the recently updated flagship product, Boris Continuum...
September 4, 2014, 05:19 PM
http://www.studiodaily.com/2014/09/growing-groot-m...
With SIGGRAPH located in Vancouver, I took advantage of the opportunity to catch up face to face with Nicolas Aithadi, visual effects supervisor at MPC for Guardians of the Galaxy. Aithadi, who has 20 films to his credit, received Oscar … more »
September 4, 2014, 05:19 PM
http://www.premiumbeat.com/blog/10-tips-for-succee...
Succeeding in Film School isn't just about getting good grades, in the following tutorial we share 10 tips for maximizing your college experience.
September 4, 2014, 05:19 PM
http://lesterbanks.com/2014/09/compositing-approac...
learn how to get out of the After Effects plugin mindset and create a toon shaded look by thinking like a compositor
September 4, 2014, 05:19 PM
http://postperspective.com/outpost-studios-afforda...
By Jennifer Walden Foreign distribution companies insist on a fully formed M&E mix, complete with Foley, but for low-budget films there often isn’t room for it. It’s a catch-22. Not footing the bill for Foley work can keep indie filmmakers from making money in the global market. Dave Nelson, owner/supervising sound editor/re-recording mixer at Outpost […]The post Outpost Studios on affordable Foley for indies appeared first on postPerspective - Randi Altman's postPerspective.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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