It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 26, 2014, 09:50 AM
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From managing windows more effectively to using the Steinberg Hub, Track Versions and the MixConsole, Steinberg Cubase is packed full of features to streamline your workflow. Here's 10 of our faves.
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A weekly podcast where we discuss all things game audio. From creative ideas to the latest techniques, project experiences to audio secrets. Here is where yo...
August 26, 2014, 03:24 AM
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We're all getting weaned off of Firewire for Thunderbolt and USB 2 for USB 3, but now comes yet another data transfer format that promises to up the ante for moving our data around. It's the new USB Type-C.
August 26, 2014, 03:24 AM
http://www.fxguide.com/fxguidetv/fxguidetv-193-eve...
Sit back and relax as we highlight presentations and tech from SIGGRAPH 2014 in Vancouver – everything from ILM’s work on Teenage Mutant Ninja Turtles, to recruitment info and a look at a bunch of new tools and apps.
August 26, 2014, 03:23 AM
http://alex4d.com/notes/item/tour-de-fcpx-for-coll...
It has been three years since Apple launched Final Cut Pro X. Although they marketed it as a new version of their venerable Final Cut Pro application, it was a completely new video editing software. As the months and years go by, Final Cut is being used on more and more high profile projects. Here's the next milestone in the history of Final Cut: how a team for UK production company VSquared used four edit suites to produce many hours of TV highlights shows for the 2014 Tour de France u...
August 26, 2014, 03:23 AM
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While title sequences come in all shapes and sizes, it is of course inevitable that similar topics and themes will emerge from the pile. These don't necessarily have to be genre-specific and in fact, their ability to transcend film genres is part of the lasting appeal. Consider the Saul Bass school of graphic animation and the many genres that particular aesthetic has been applied to, from comedies and romances to thrillers and capers. The detail-oriented montage is another example, where t...
August 26, 2014, 03:22 AM
http://www.fcp.co/final-cut-pro/articles/1480-edit...
It's now no secret that ITV4’s 2014 highlights coverage of the Tour de France was made by a team of editors working on Final Cut Pro X. A production of this scale and quick turnaround had never been tried before on FCPX. Four edit suites with new Mac Pros connected to a 70 TB Xsan. All producing a highlights show on air on ITV4 at 7pm every day for 21 days. And with the Tour starting in the UK in Yorkshire and our output also being live on ITV1 on Saturday and Sunday afternoon to million...
August 26, 2014, 03:22 AM
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Movidiam, a recently-launched social network for film professionals, aims to set itself apart by revolutionizing the way filmmakers connect to brands and agencies. MovidiamSocial networkfilmmakingbrandsagenciesfilmmakersfilmkinTechnicolorMandyWorking IndieCreative DistrictShooting PeopleFilmmaker Social Network
August 25, 2014, 04:38 PM
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50 Years Of Visionary Sci-Fi Computer Interfaces.
August 25, 2014, 04:38 PM
http://library.creativecow.net/wilson_tim/VFX_Marv...
Big companies can't be nimble? Don't tell Sony Pictures Imageworks. They turned around 88 shots for Marvel's instant classic, Guardians of the Galaxy -- plus a complete digital character -- in just two months. VFX Supervisor Pete Travers says it's the fastest they've ever worked on a project like this, and a sterling example of both the creative advantages that come with scale, and the richness of the Marvel multiverse.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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