To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Are Projectionists Dinosaurs in the Age of Digital

August 25, 2014, 09:57 AM

http://www.indiewire.com/article/are-projectionist...

Once upon a time, film projectionists were stars. Between 1895 and 1897, people would pay in order to see the brand new technology that allowed moving images to be projected on a screen. But more than 100 years later, film projectionists are a dying breed. Indiewire spoke to projectionists at the recent Locarno Film Festival about their craft and their future in the age of DCP.

Comic: A history of Apple mice, part one

August 25, 2014, 09:57 AM

http://www.macworld.com/article/2598043/comic-a-hi...

Macworld and Rich Stevens of Diesel Sweeties present Multitouch Theater, a weekly cartoon about Macs, iOS, and everything in-between. This week: An oral history of Apple mice, part one.

Show And Tell Review Of AIR Riser Plug in

August 25, 2014, 09:57 AM

https://www.youtube.com/watch?v=Sy0SCkm38u8

At the heart of The Riser are three editable sound generators – sweep, noise, and chord – letting the user manipulate the movement, timber, and tonality of t...

How to Build a Video Wall

August 25, 2014, 09:57 AM

https://www.youtube.com/watch?v=TmXjnB0sNMw

In Under 5 minutes, Mark Spencer from www.rippletraining.com will teach you how to use a Replicator to quickly construct a video wall using the source frame ...

Jumping into the 4k Pool.

August 25, 2014, 05:21 AM

http://walterbiscardi.com/jumping-into-the-4k-pool...

As part of planning for our new lifestyle network, I made the decision from the get-go that all new original programming would be produced in 4k.  Lifestyle programming is one of those ‘evergreen’ genres with MANY standard definition episodes of various programs still appearing on networks worldwide.   For me it makes absolutely no sense […]

How many copies of Final Cut Pro? Apple’s number

August 25, 2014, 05:21 AM

http://alex4d.com/notes/item/fcp-fcpx-numbers

Creative COW forum member Franz Bieberkopf has done some interesting research and rounded up the numbers when Apple have announced how many copies of Final Cut Pro have been sold over the years: Though I think user numbers are of limited value, it has become a bit of an interest to me (particularly in light of how secretive and vague the various developers tend to be, and in light of the sometimes outrageous claims here). I dug into past announcements from Apple in order to sketch the sh...

BUF’s Visual Effects Making Of The Bird People

August 25, 2014, 05:21 AM

http://lesterbanks.com/2014/08/bufs-visual-effects...

Director: Pascale Ferran Production: Archipel 35 – 2014 Number of VFX shots: 425 shots Supervisor : Geoffrey Niquet Producer : Marguerite Moreau de Lizoreux Editor: Charles Labriet Music: The Surfmen/Taboo Production notes available here: buf.com/films/bird-people/

Rendering - thanks go GPUs - is speeding up faster

August 25, 2014, 05:20 AM

http://www.redsharknews.com/post/item/1939-renderi...

Realtime rendering is the hot topic in CG animation and vfx right now, thanks to a new breed of rendering solutions that harness the power of the latest generation of graphics processors. Launched just four months ago and promising ‘ludicrously fast 3D rendering’, Redshift is already causing a major stir amongst professional artists and CG enthusiasts. realtime renderingRenderingGPUredshiftMoore's law

C.C.E. Membership Application Deadline – Septemb

August 25, 2014, 05:20 AM

http://www.cceditors.ca/c-c-e-membership-applicati...

September 1st is the next deadline for Associate & Student membership application to the Canadian Cinema Editors. Please see the link below for more information:   http://www.cceditors.ca/join-us/

Follow Alexis Van Hurkman Down the Rabbit Hole to

August 25, 2014, 05:20 AM

http://provideocoalition.com/pvcexclusive/story/fo...

Alexis Van Hurkman is a man of many talents. He might be best known for his expertise in post-production, and as the writer of books such as the “Color Correction Handbook,” and “Adobe SpeedGrade: Getting Started,” that should come as no surprise. ProVideo Coalition...

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