It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 20, 2015, 05:21 AM
http://www.cgmeetup.net/home/render-passes-in-maya...
Daryl Obert – A quick demo talking about the new MILA based Mental Ray Passes and how to enable the legacy Pass System if you still need to use it.
October 20, 2015, 05:20 AM
http://www.3dvf.com/actualite-14800--render-passes...
Daryl Obert this video of the new system passes Maya Mental Ray 2016 (which relies on MILA) and how to turn the old system when needed.
October 19, 2015, 04:38 PM
http://postperspective.com/not-scale-welcomes-dire...
New York-based director, animator and illustrator Lucinda Schreiber has signed with film and animation content studio Not To Scale for representation worldwide. Schreiber comes from the multi-national, multi-medium production company Photoplay. She has worked with clients from all over the world, including the US, Europe, Australia and Asia, Schreiber has done work for Coca-Cola, Telstra, Kotex, Gotye, Saks 5th Avenue, NPR and the Morning Peace event at MoMA. In any given spot, Schreiber...
October 19, 2015, 09:43 AM
http://www.provideocoalition.com/maxon-and-cinema-...
October 19, 2015, 09:42 AM
http://www.cgmeetup.net/home/uv-mapping-with-the-u...
Mike Hermes – In this tutorial I will explain how to UV map and texture a box in Autodesk Maya 2016 using the UV Editor.
October 18, 2015, 07:28 AM
http://cgvilla.com/2015/10/18/an-inspirational-tho...
We are glad to share An Inspirational Thought/experience by Khan for all Artists,who wanna get / stay in the Industry… Hope that will be inspiring for most of the people and readers. Getting into 3D Industry and make a name for yourself is not that easy. But If you keep working hard with all your will then anything can be possible. And Khan has a exact wordings for that. Please Read it inspire it and share it so that other can also get inspire.
October 17, 2015, 05:47 AM
https://www.aotg.com/maya-xyz-and-ortho-buttons/
Maya XYZ and Ortho Buttons
October 16, 2015, 12:40 PM
http://www.awn.com/blog/animation-pimpcast-14-one-...
Animation writer Chris Robinson sits down with a variety of animation types to fondle their minds through informal chats about animation, life and whatever else they feel like discussing.
October 16, 2015, 12:35 PM
https://www.aotg.com/92-years-of-magic-at-walt-disney-animation-studios/
October 16, 2015 marks the 92nd anniversary of the founding of Walt Disney Animation Studios. Watch as animator Eric Goldberg helps us celebrate 92 years of magic, memories, and storytelling.
October 16, 2015, 08:40 AM
http://www.thehollywoodnews.com/2015/10/16/watch-o...
Ever since those inanimate lamps came to life, Pixar have always found a special place deep in the emotive heart of animation, so it comes as no surprise that their, quite literal, venture inside the individual emotions of young Riley has struck the right chord with so many.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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