It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 5, 2017, 12:28 PM
https://www.aotg.com/how-wonder-woman-uses-color/
A mini video essay on how WONDER WOMAN uses color as a storytelling device.
July 5, 2017, 04:45 AM
http://www.broadcastbeat.com/technicolor-invests-i...
15 May 2017: Technicolor, the world leader in production and post-production services, has extended its colour grading capabilities in Hollywood with FilmLight’s Baselight X system. Baselight X is the latest and most powerful implementation of the Baselight colour grading and finishing system. HDR colour grading services are available at Technicolor’s post-production facilities globally, but its ...
June 27, 2017, 09:31 AM
https://www.aotg.com/running-tv-installs-blackmagic-cintel-film-scanner/
Blackmagic Design today announced that audiovisual production and distribution company RUNNING TV has implemented the Blackmagic Cintel Film Scanner as part of a workflow that has seen it digitize more than 100 archived Italian films spanning the 1920s through to the 1950s.
#color grading#post production#color correction#film scanningJune 27, 2017, 07:12 AM
https://www.aotg.com/color-by-numbers-sofia-coppolas-pastels/
Color by Numbers: Sofia Coppola’s Pastels
June 26, 2017, 12:53 PM
http://postperspective.com/behind-title-carbons-he...
NAME: Maria Carretero COMPANY: Carbon (@carbonvfx) CAN YOU DESCRIBE YOUR COMPANY? Carbon, which has locations in New York, Chicago and LA, is a boutique design and visual effects company that focuses on art, Continue reading → June 26, 2017 The post Behind the Title: Carbon’s head of color grading, Maria Carretero appeared first on Randi Altman's postPerspective.
June 23, 2017, 12:04 PM
https://www.premiumbeat.com/blog/using-clip-colors...
Labeling your clips with colors can streamline your workflow and help you identify metadata at a glance. Learn how to maximize them in this Premiere Pro tutorial.
June 21, 2017, 12:26 PM
https://www.aotg.com/the-sower-completed-using-blackmagic-design/
Blackmagic Design today announced that Blackmagic Pocket Cinema Camera was the A camera used to shoot the award-winning Yosuke Takeuchi film, “The Sower.” Grading and film scanning for the film were done at TOKYO LABORATORY LTD (Togen), using Davinci Resolve Studio and Cintel Film Scanner.
#grading#post production#film scannerJune 15, 2017, 01:05 PM
https://fxfactory.com/blog/effects-2/automatic-col...
I wanted something realistic! EPICOLOR was the answer.
June 15, 2017, 04:23 AM
http://www.studiodaily.com/2017/06/light-illusion-...
Light Illusion said its LightSpace Color Management System (CMS) now includes an option that generates LUTs based on color and gamma data for different camera models as provided by the vendors. These new LUTs are “technically correct,” Light Illusion said, meaning they may yield a look that’s different from LUTs provided by the camera makers, […] The post Light Illusion Adds ‘Correct’ Camera LUTs to LightSpace CMS appeared first on Studio Daily.
June 8, 2017, 03:04 PM
https://www.aotg.com/garibaldi-watches-tvc-shot-with-ursa-mini-4-6k/
Luminary Visuals Studio produces a new commercial with URSA Mini 4.6K cameras and DaVinci Resolve Studio.
#color grading#post production#color correction
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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