To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Salter - Cutting Yourself Out of a Corner Part IV

March 31, 2011, 12:32 PM

http://www.artoftheguillotine.com/assocvideo.php

Editor David Salter discusses the intricacies and differences of being an editor on an animated film. In this video he describes his experiences editing "Finding Nemo" at EditFest NY 2010. For more information go to editfestny.com.

SAFTA WINNING DOC - Dir. and Editor Speak

March 31, 2011, 10:30 AM

http://www.cutaway.co.za/post/4228575233/documenta...

"Jammer As Ek So Bitter Is" won two SAFTA awards for Best Director: Documentary Film as well as Best Documentary Film. Director, Rina Jooste and editor, C.A. van Aswegen, gave Cutaway insight into cutting this award winning film.

Getting Going with Encore 3: Buttons & Wiring

March 31, 2011, 10:21 AM

http://library.creativecow.net/devis_andrew/Premie...

In his third tutorial on getting started with Adobe Encore, Andrew Devis demonstrates how to select different types of buttons, how to add them to your menu and then how to wire up the buttons to create your project. Andrew demonstrates this using the flowchart window, which is a simple and intuitive way of editing your project, giving powerful and clear visual feedback.

Vimeo iPhone App

March 30, 2011, 09:16 PM

http://www.swiss-miss.com/2011/03/vimeo-iphone-app...

I am seriously excited about the launch of the official Vimeo iPhone App...

Create an After Effects Tornado

March 30, 2011, 09:15 PM

http://library.creativecow.net/mize_rob/AE-Tornado...

Rob Mize demonstrates how to create a tornado in After Effects and control all aspects of its appearance and movement. It's all done with Particle World so there are no 3rd party plug-ins required.

The Canon 7D Digital Workflow for Comedy Web Serie

March 30, 2011, 05:59 PM

http://theconvergence.co.uk/2011/03/the-canon-7d-d...

A film or TV set employing a tapeless workflow is pretty common. Social Network was filmed on RED MX cameras and just won an Oscar. Tons of TV shows incorporate digital technologies like Arri Alexa, Sony’s line of HD Cams or even Canon DSLRs. Almost all web-based projects are made on HVXs or DSLRs. Tape is becoming obsolete but the new digital workflow comes with some caveats.

Digital Rapids Announces Updates to StreamZ

March 30, 2011, 05:58 PM

http://www.digitalproductionbuzz.com/2011/03/30/di...

Digital Rapids, provider of tools and solutions for bringing television, movie and Web content to wider audiences, announced new dual-channel models in the StreamZ and StreamZHD families of studio encoding systems; StreamZHD Live ABR adaptive streaming encoder; and Flux family of video capture and pre-processing hardware. The new models combine Digital Rapids’ long-standing ability to output multiple formats, resolutions and bit rates simultaneously in real time with the capability to capture

Vimeo Launches iPhone Editing App

March 30, 2011, 05:57 PM

http://nofilmschool.com/2011/03/vimeo-iphone-app/

Vimeo has had HTML5-enabled video for quite some time, which means all of their videos are viewable on iOS devices. But now they've released the official Vimeo iPhone app, which includes far more functionality than you'd expect from a first version. In fact, it looks as if the Vimeo app — which is free — could give the iOS version of iMovie a run for its money (which, it's worth noting, is priced very affordably at 4.99). Here's a look at the Vimeo application in action.

Digital Production Buzz — March 31, 2011

March 30, 2011, 05:55 PM

http://www.digitalproductionbuzz.com/2011/03/30/di...

HEADLINES: We are quickly ramping up to NAB 2011! Tracking schedules, rights, and finances, architecture meets animation, and growing a small production company — all this, plus Buzz Shout-outs!, on this week's show!

Vimeo iPhone App for editing

March 30, 2011, 05:00 PM

http://www.tejbabra.com/index.php/news/vimeo-iphon...

The app has the ability to upload, edit and watch videos by anyone posted on Vimeo. It handles both SD and HD footage and provides you with a touch screen timeline. You can even set In and Out points for edit, as well as insert clips from your library.

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