It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 7, 2014, 09:54 AM
http://lesterbanks.com/2014/07/11-things-need-chan...
I love After Effects and it also gets under my skin. Here is what I would change...
July 7, 2014, 09:54 AM
http://www.premiumbeat.com/blog/is-it-better-to-do...
Editing 4K footage takes longer than editing HD footage but the end result is so much sharper, Right? In the following video we will compare footage edited in 4K vs footage edited in 1080 and compare the results when exported to HD.
July 7, 2014, 09:53 AM
http://www.borisfx.com/blog/2014/07/07/user-story-...
Splice TV’s latest project, the BBC’s upcoming 6-part comedy series, Siblings, follows the misadventures of a slovenly, unhinged brother and sister. The series, filmed entirely with handheld cameras, presented the award-winning London-based studio with a unique FX challenge. The studio … Continue reading →
July 7, 2014, 09:52 AM
http://www.artofvfx.com/?p=8392
Richard Baker began his career in visual effects as compositing artist. He worked on projects like THE HITCHHIKER’S GUIDE TO THE GALAXY, SUNSHINE, ANGELS & DEMONS or CLASH OF THE TITANS. He then got interested in the stereoscopy and joined Prime Focus World. There he take care of movies like FRANKENWEENIE, WORLD WAR Z or GRAVITY.
July 7, 2014, 09:41 AM
http://vashivisuals.com/the-thing-storyboards-to-f...
This VIDEO compares the storyboards to the final film edit in John Carpenter's THE THING (1982). Two differently paced scenes are examined with a split screen of the storyboard and final film imagery.
July 7, 2014, 09:01 AM
http://www.aotg.com/index.php?page=cuttingroom_143
Cindy Clarkson, A.S.E., began her career with an interest in writing and went to university to study writing and she transitioned to a double major with film after discovering her love of editing. Her work has spanned multiple features, documentary's, and television shows and includes: Canopy, Van Diemen's Land, Everynight... Everynight...
July 7, 2014, 04:29 AM
http://walterbiscardi.com/southeast-creative-summi...
Southeast Creative Summit 2014 Returns to Atlanta. November 7-9, 2014 3 days of Film & Video Workshops led by Working Creative Professionals. Only $325 for all three days through Oct. 5 with discount code. July 7, 2014; Atlanta, GA; - The Atlanta Cutters Post Production User Group announces the return of the Southeast Creative Summit to Atlanta, GA. Following […]
July 7, 2014, 04:29 AM
http://alex4d.com/notes/item/what-next-for-final-c...
I was the guest on today's episode of the FCPX Grill podcast, part of my conversation with Chris Fenwick was about what the 10.1.2 update tells us about the future of Final Cut Pro X. It seems ungrateful to immediately start thinking about future versions of Final Cut. Even grateful users can't help but think about features and bugs they hoped Apple had paid attention to in the most recent update. It is worth considering now because Apple very rarely hints as to the future of their hardwa...
July 7, 2014, 04:27 AM
http://cgi.tutsplus.com/tutorials/create-a-paper-b...
In this tutorial, you'll learn how to create an animation in After Effects using simple 2D shapes and export the animation to layers with an alpha channel to use in Cinema 4D as a texture. The texture will span across multiple Mograph clones in both space and time and you'll finish off the look by adding a paper texture and lighting.
July 7, 2014, 04:27 AM
http://digitalcinemacafe.com/2014/07/07/fcg061-how...
Looking to the past to discern the future. Alex Golner has many tools at his disposal to predict the future of FCPX and as always, any conversation with him is amazing and fun-filled. In this episode of The Grill we look at what happened in the decade prior to the suspension of development on FCP7 and what we’ve seen in the last 3 years of development of FCPX.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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