It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 1, 2014, 10:38 AM
https://www.aotg.com/carthage-seq4/
Lubo Hristov, VES Member, recreates the splendor of Carthage Harbor as a complete 3D environment.
July 1, 2014, 10:37 AM
https://www.aotg.com/using-ae400-on-solo-violin/
Julian demonstrates using active EQ to control problem frequencies without damaging the signal through over-processing.
July 1, 2014, 10:37 AM
http://sportsvideo.org/main/blog/2014/07/grass-val...
Bruce Austin of Bruce Austin Productions Inc. (BAPI) and Dan Harris of Eight Ball Pictures and Stereoscope LLC, have turned to Grass Valley and its EDIUS 7 multiformat nonlinear editing software on the film “Our Restless Planet,” for the JPL Earth Science Visitor Center. The film highlights the effects of hurricanes, earthquakes and fresh water supplies on our planet.
July 1, 2014, 10:37 AM
http://www.toolfarm.com/blog/entry/tutorial_creati...
This is a 3 part tutorial on how to create an island environment using Blender 2.6. It’s a long and complicated process, but the end result is stunning!
July 1, 2014, 10:37 AM
http://designingsound.org/2014/07/critical-listeni...
A number of years ago I took part in a critical listening exercise where participants where given a piece of music and 3 hours to provide a critical assessment of it.
July 1, 2014, 10:35 AM
http://www.bfs-filmeditor.de/aktuell/meldungen/mel...
Editing is often called the 'art of the invisible', but Dr Karen Pearlman, author of Cutting Rhythms, Shaping the Film Edit, proposes that actually that good editing is not invisible. Drawing on theory from her book she introduces the idea that we 'see' editing when we see the flow of movement - the movement of events, emotions, images and sounds. Through discussion, interactive play and screening of short examples of different kinds of editing, this montage forum gets participants seeing editin...
July 1, 2014, 10:35 AM
http://www.cgmeetup.net/home/bottleship-vfx-featur...
We are an independent Dynamic FX boutique based in the creative and cultural heart of one of the old European capitals – Sofia, Bulgaria. Founded and led by distinguished artists Hristo Velev and Martin Naydenski.
July 1, 2014, 10:35 AM
http://www.sonicscoop.com/2014/07/01/studio-creati...
For those of us who are passionate about writing, creating, producing, recording, or mixing music, we spend a lot of time looking at waveforms on a screen. We invest endless hours of our lives listening sound.
July 1, 2014, 10:35 AM
http://www.cinema5d.com/news/?p=26174
The LaCie Rugged hard drive has been quite popular with filmmakers, offering storage for in-the-field media backup. There’s been a few flavours of the line over the years; a fairly un-changed cosmetic design with variants of capacity and peripherals.
July 1, 2014, 10:34 AM
http://www.artofvfx.com/?p=8415
In 2012, Jonathan Fawkner had told us in details of Framestore work on WRATH OF THE TITANS. He then worked on GRAVITY as additional visual effects supervisor. Today he talks about his work on EDGE OF TOMORROW.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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