It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 30, 2014, 02:04 PM
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http://lesterbanks.com/2014/06/maya-keyframe-copy-...
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https://finalcutprox.net/why-wxyz-news-in-detroit-...
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http://provideocoalition.com/news/story/editshare-...
EditShare®, the technology leader in shared media storage and end-to-end tapeless workflow solutions, has released EditShare Storage v7. Built on the newest, high-performance Linux kernel, EditShare Storage v7 is the company’s most advanced shared storage platform, delivering higher...
June 30, 2014, 02:04 PM
http://edaeditores.org/encuesta-2013/
Annual report on the working conditions of publishers in Argentina. Over 200 respondents.
June 30, 2014, 02:03 PM
http://www.hollywoodreporter.com/behind-screen/lon...
Computer-generated drones that chase Jack Bauer (Kiefer Sutherland) through London; blood enhancement; CG water, fire, and smoke; and plenty of explosions. That is some of the work that London VFX house Milk is creating for 24: Live Another Day. PHOTOS '24: Live Another Day': First Look at the London Set
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It’s every home theater nut’s secret wish to fill a room with speakers packed so tightly together that you can’t tell what color the walls are painted. The only problem with that idea is that, aside from being prohibitively expensive (and possibly a catalyst for divorce), there’s been no practical benefit to doing so...
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http://training.abelcine.com/event/digital-technic...
Building on the topics covered in On-Set LUT Creation 101, this class will explore the creative side of LUT design. Participants will work with several live camera sources to gain an understanding of how to create LUTs in a multi-cam environment and how to create specific looks from various cameras.
June 30, 2014, 11:54 AM
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This is an interview with Patrick Sheffield about editing Tim's Vermeer with Penn & Teller.
June 30, 2014, 11:21 AM
http://www.editshare.com/about/about-us/press/item...
EditShare®, the technology leader in shared media storage and end-to-end tapeless workflow solutions, announced today the availability of Flow v3.1, the company’s comprehensive media asset management solution. The Flow 3.1 update includes the following new features and workflow capabilities...
#workflow#editshare#mam#media asset management#editshare flow#adobe premiere pro cc#media asset management solutions
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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