It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 18, 2016, 10:28 AM
https://www.aotg.com/miller-an-asset-for-game-creek-video/
Miller Camera Support, LLC a Longtime Asset for Game Creek Video's High-Profile Productions Arrow 55 Systems Continue 17 Year-Long Relationship and Afford Rock-Steady Camera Support
#cameras#miller#camera supportOctober 18, 2016, 09:23 AM
http://www.artofvfx.com/miss-peregrines-home-for-p...
In 2013, Frazer Churchill explained to us about the work of Double Negative on THE WORLD’S END. He then became independent VFX supervisor and works with the legendary film director Tim Burton.
October 18, 2016, 09:23 AM
https://www.aotg.com/ghost-trails-with-fluorescein/
Create Halloween ghost-like trails with the compound known as fluorescien.
October 18, 2016, 05:40 AM
https://www.studio360vr.com/augmented-reality-is-a...
In this article, Philip Hodgetts makes a case that augmented reality is not only here, but it's here in a big way. He also compares and contrasts the differences between augmented reality and virtual reality.
October 17, 2016, 10:30 AM
https://www.aotg.com/rodeo-fx-breathes-life-into-tarzan/
Over 200 VFX for Tarzan
October 17, 2016, 05:51 AM
http://www.redsharknews.com/post/item/3867-the-fou...
The Foundry says that 10.2 is going to be the final instalment of the MODO 10 Series but sweetens the expected pill with a raft of new features. The FoundryMODO Series 103D softwareCGI
October 17, 2016, 05:51 AM
http://www.creativebloq.com/news/how-to-change-you...
Have you ever been blown away by a movie or TV show’s visual effects and dreamed of creating something just as show-stopping? Well now’s your chance. Whether you’re a design, engineering, computer science, art, graphics or multimedia graduate, Escape Studios is offering you the chance to switch your career and work in the exciting world of visual effects.
October 17, 2016, 05:50 AM
https://labs.chaosgroup.com/index.php/cg-garage-po...
Any film buff will know the name Stan Winston. The special effects legend created the titular monsters from “The Terminator,” “The Thing,” and “Predator.” He was a key player in Hollywood’s transition from practical to digital effects in the early 90s, and he constantly pushed the boundaries of his craft.
October 14, 2016, 04:30 PM
https://www.inverse.com/article/22234-special-effe...
odzilla has been gracing our screens for more than 60 years. We’ve watched the monster ravage whole cities and fight some memorable adversaries over the years, and thanks to the franchise’s long run, we’ve also seen in these films the progression of cinema history.
October 14, 2016, 04:29 PM
http://www.cartoonbrew.com/interviews/ilms-rebel-j...
Mark Dippé and Steve ‘Spaz’ Williams famously devised a secret and unsanctioned Jurassic Park animation test at Industrial Light & Magic that ultimately convinced director Steven Spielberg to use computer-generated dinosaurs instead of stop motion on his blockbuster film. It was a huge step forward in visual effects, but Dippé and Williams were no strangers to groundbreaking cg work—they had already contributed to cutting-edge computer animation work in The Abyss and Terminator 2: Judgme...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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