It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 31, 2019, 12:49 PM
https://postperspective.com/color-chat-light-irons...
Corinne Bogdanowicz colorist at Light Iron, joined the post house in 2010 after working as a colorist and digital compositor for Post Logic/Prime Focus, Pacific Title and DreamWorks Animation. Bogdanowicz, who comes from a family of colorists/color scientists (sister and father), has an impressive credit list, including the features 42, Flight, Hell or High Water, Continue reading → October 30, 2019 The post Color Chat: Light Iron’s Corinne Bogdanowicz appeared first on postPerspe...
October 30, 2019, 01:15 PM
https://postperspective.com/vfx-house-blacksmith-n...
New York-based visual effects studio Blacksmith has added colorist Mikey Pehanich to its team. With this new addition, Blacksmith expands its capabilities to now offer color grading in addition to VFX. Pehanich has worked on projects for high-profile brands including Amazon, Samsung, Prada, Nike, New Balance, Marriott and Carhartt. Most recently, Continue reading → October 28, 2019 The post VFX house Blacksmith now offering color grading, adds Mikey Pehanich appeared first on postPerspe...
October 28, 2019, 01:03 PM
https://icolorist.com/2019/10/28/hawaii-colorist-s...
The second ICA Colorist Summit took place in Waikiki during October. The Summit mission is to go to places not normally on the ICA roster. In 2017 we were in Bali and received great support from locals and international students. Hawaii was no different. We had guests visiting from London, Amsterdam, Taipei and LA mixing with local Hawaiians.
October 26, 2019, 01:02 PM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK CITY — Sim (siminternational.com) has hired Lucie Barbier-Dearnley as senior colorist. She comes to the studio from Company 3, London, and brings expansive credits across features, episodic television and documentaries.
October 26, 2019, 01:01 PM
https://www.provideocoalition.com/they-shall-not-g...
The Hollywood Professional Association (HPA) announced They Shall Not Grow Old as the recipient of an HPA Award honoring sophisticated restoration and the crafting of a deeply moving story. The... The post They Shall Not Grow Old documentary film to receive 2019 HPA Award appeared first on ProVideo Coalition.
October 23, 2019, 01:08 PM
https://lesterbanks.com/2019/10/create-your-own-mo...
CG Matter shows how you can easily create a color chart from any movie footage. We’ve all most likely seen the color charts derived from all the shots in a film. It makes for a
October 22, 2019, 01:10 PM
https://www.premiumbeat.com/blog/grading-skin-tone...
First, you need to isolate the skin with a selection so you can work with it without affecting the rest of the image. Then, you can even out the skin, unifying the tone so it’s a universal color, without making the person look like they’re wearing too much foundation. Next, decrease the mid-tone density so that small imperfections disappear. Finally, add a layer mixer node so that the skin color you’ve just worked on is protected from other grades you might make. Let’s look at them in tu...
October 18, 2019, 08:13 PM
https://postperspective.com/nice-shoes-toronto-add...
Creative studio Nice Shoes has added colorist Yulia Bulashenko to its Toronto location. She brings over seven years of experience as a freelance colorist, working worldwide across on projects with such top global clients as Nike, Volkswagen, MTV, Toyota, Diesel, Uniqlo, Uber, Adidas and Zara, among numerous others. Bulashenko’s resume includes work across commercials, Continue reading → October 16, 2019 The post Nice Shoes Toronto adds colorist Yulia Bulashenko appeared first on postP...
October 15, 2019, 04:08 PM
http://www.postmagazine.com/Press-Center/Daily-New...
TORONTO — New York City-based creative studio Nice Shoes (www.niceshoes.com) has grown its Toronto team with the recent addition of colorist Yulia Bulashenko. She brings over seven years of experience as a freelance colorist, working on projects for clients such as Nike, Volkswagen, MTV, Toyota, Diesel, Uniqlo, Uber, Adidas and Zara, among numerous others.
October 11, 2019, 07:40 PM
https://www.provideocoalition.com/canons-new-color...
Canon's new color calibration service for displays, and the new service also includes calibration of non-Canon and consumer grade displays.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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