It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 18, 2014, 09:42 AM
http://www.redsharknews.com/business/item/1771-red...
Thousands of you completed the Audio Network/RedShark survey about production music that we sent to RedShark subscribers last week. And one of you won the prize! Audio NetworkRedSharkSurveyProduction music
June 18, 2014, 09:42 AM
https://www.videoguys.com/Blog/E/The+Ouch+of+4K+Po...
4K is the big buzz. Many in the post community are wondering when the tipping point will be reached when their clients will demand 4K masters. 4K acquisition has been with us for awhile and has generally proven to be useful for its creative options, like reframing during post.
June 18, 2014, 09:41 AM
http://www.macworld.com/article/2364276/adobes-cre...
Adobe is the king of creative software but not ready to rest on its laurels. After revamping its boxed Creative Suite software into cloud-connected, subscription-based, regularly updated Creative Cloud, Adobe has set itself up to respond more quickly to the fast-changing industries it serves.
June 18, 2014, 09:41 AM
https://www.youtube.com/watch?v=BIKHJVnGYsM
Beginner Zbrush Creature Design 14
June 18, 2014, 09:41 AM
http://www.latimes.com/entertainment/envelope/coto...
Felix the Cat, the black-and-white cartoon born in 1919 during the silent film era, now belongs to DreamWorks Animation.
June 18, 2014, 09:41 AM
http://www.macworld.com/article/2364960/apple-intr...
Making the iMac a little more affordable, Apple on Wednesday quietly introduced a new, lower-price entry model for the all-in-one desktop computer.
June 18, 2014, 09:41 AM
http://motionworks.net/transform-1-2-announced/
Greyscale Gorilla will release a new update to Transform tomorrow. Transform makes building and destroying layers in Cinema 4D easy. Version 1.2 includes new Poly modes and text effects to help make complex animations easy. Learn More.
June 18, 2014, 09:40 AM
http://news.doddleme.com/blogs/post-production/pre...
By Kevin P. McAuliffe (doddleNEWS) In part three of our look at getting ready to edit in Premiere Pro CC, we covered setting up your Keyboard Settings. In this lesson, let’s talk about importing your footage into Premiere Pro CC, so you can start your edit! (You can find part 1, general preferences, here and part 2, memory preferences and the Sequence, here.)
June 18, 2014, 07:05 AM
https://www.aotg.com/episode-142-interview-with-bryan-atkinson-discussing-hannibal-part-1-of-1/
Film Editing News and Interviews
#editor#editing#film#film editing#television#movies#the cutting room#bryan atkinsonJune 18, 2014, 03:30 AM
http://www.fxguide.com/quicktakes/dreamworks-new-t...
DreamWorks Animation’s newest film How To Train Your Dragon 2 was also the first to use its re-vamped set of animation and lighting toolset – dubbed Apollo. We find out from visual effects supervisor Dave Walvoord how the tools became part of the studio’s pipeline, plus how the team worked with cinematographer Roger Deakins in crafting Dragon 2’s look.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2025 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.