To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Abel Ferrara talks with editor Anthony Redman Pt 3
December 19, 2010, 08:45 AM
http://abelferrara.com/films/movie/abel-ferrara-ta...
Editor Anthony Redman and director Abel Ferrara talk about their collaboration on the movie "King of New York". Redman comments on his job and how he cut some specific scenes. They stop on a few sequence and explain how they were shot, how to use the lights, and talk about one car chase scene and how the actors didn't want to use stunts. Redman and Ferrara then recall memories of locations used in the movie, how New York looked like at the time, and how actors Wesley Snipes and David Caruso...
Abel Ferrara talks with editor Anthony Redman Pt 2
December 19, 2010, 08:43 AM
http://abelferrara.com/films/movie/abel-ferrara-ta...
Anthony Redman talks about how he got his first job in the film industry.
Abel Ferrara talks with editor Anthony Redman Pt 1
December 19, 2010, 08:40 AM
http://abelferrara.com/films/movie/abel-ferrara-ta...
Anthony Redman talks about how he first met Abel Ferrara and started to work with him. After seeing two of his movies, Redman realized he wanted to work with Abel Ferrara without knowing that he would meet him shortly after and work with him for 14 years. Then they had their first collaboration with 'Fear City', which would be followed by many others on subsequent movies.
Pieces of Dylan Tichenor
December 18, 2010, 10:36 AM
http://www.studiodaily.com/filmandvideo/people/vis...
Editor Dylan Tichenor grew up watching movies with his father, a wannabe filmmaker with his own 16mm camera. His first lesson in editing took place when, as a child, he held a strip of film from an 8mm reel of The Magnificent Ambersons to the light and realized how the scene was composed of different shots. His first professional break was as a P.A. on John Sayles’ City of Hope. Since then, he’s edited Boogie Nights, Magnolia, Unbreakable, and The Royal Tenenbaums. He just finished Brokeback...
Digieffects Unveils New Product Line...
December 18, 2010, 10:33 AM
http://provideocoalition.com/index.php/news/story/...
PRODAD UNVEILS NEW ADORAGE EFFECTS PACKAGE 12
December 18, 2010, 10:32 AM
http://provideocoalition.com/index.php/news/story/...
proDAD, the highly acclaimed developer of digital video effects and image enhancement technology today announced availability of the highly anticipated Adorage Effects Package 12 – Worldwide Effects. The new Adorage Effects Package 12 delivers exactly what it promises – 2,000 new effects and transitions in HD-quality specifically for adding some pizzazz to travel and vacation videos. Adorage 12 focuses on sights, skylines, and contours. This new 64-bit version complements its predecessor...
ZyXEL ventures into 2-Bay Media Server
December 18, 2010, 10:31 AM
http://provideocoalition.com/index.php/news/story/...
ZyXEL Communications (TSE: 2391), world’s one of the leading provider of complete broadband access solutions launched its DLNA 1.5-certified 2-Bay Media Server NSA221 with capacity of up to 4TB. The first 2-Bay media server of ZyXEL India provides an enhanced online "Package" management where advanced users can easily choose their preferred applications online, saving the storage capacity for applications and offering you the real-time application software support per the needs...
Dialogue Replacement using Soundtrack Pro
December 18, 2010, 10:30 AM
http://library.creativecow.net/mcguire_sam/Dialog-...
Even though most people don't associate Soundtrack Pro with ADR, it has a set of powerful tools designed to record and edit looped dialogue. In this Soundtrack Pro video tutorial Sam McGuire explains the process of replacing dialogue using STP's loop recording, multitake editor, and audio stretch tool. Other topical advice is also discussed.
Wherefore 4:4:4?
December 17, 2010, 03:25 PM
http://provideocoalition.com/index.php/sony/story/...
So much of the technical jargon around digital content creation is fraught with traps for the unwary. As we’ve previously written, an image sensor "pixel" is not the same as a recorded "pixel" and nothing about a 2/3-inch type sensor actually measures 2/3 inch. Another classic source of confusion is the seemingly innocuous ratio—such as 4:4:4—that expresses the digital sampling structure.
ASE Demystifying Codecs Part 8 of 12
December 17, 2010, 11:26 AM
https://www.aotg.com/ase-demystifying-codecs-part-8-of-12/
Australian Screen Editors presents "Demystifying Codecs", a seminar on video codecs by Chris Reynolds. This is part 8 of 12. Topics covered in this part include: Encoding & Compression, Deinterlace, CRTs, Progressive, Scaling, Frame Size, Apple Scripts. Chris Reynolds is an editor at ActiveMotion.
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