It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 2, 2014, 09:35 AM
https://www.videoguys.com/Blog/E/Avid+Media+Compos...
At NAB Avid presented its Avid Everywhere concept. While Everywhere is a over-arching marketing concept, involving “the cloud”, storage, asset management, a marketplace and more, for most independent editors, Avid is all about Media Composer and/or Pro Tools. Given that, there’s very little in the Everywhere concept that affects these users. The most salient part is a restructuring of licensing and software options.
June 2, 2014, 09:35 AM
http://lesterbanks.com/2014/06/simulating-blood-fl...
Medical Illustrator Karyn Ho shows us how to blood flow in Maya using nParticles and Fields to simulate velocity profiles Advertise here with BSA The post Simulating blood flow in Maya using nDynamics originated on LESTERBANKS.
June 2, 2014, 06:41 AM
https://www.aotg.com/sound-devices-introduces-video-devicestitle/
Sound Devices, specialists in audio and video production equipment, presents Video Devices, a new brand and identity for its line of video products.
June 2, 2014, 04:40 AM
http://www.fcp.co/final-cut-pro/articles/1429-what...
Apple's big showcase for new hardware and software is the World Wide Developers Conference in San Francisco that starts on Monday the 2nd of June. So what do we expect? Yosemite OS X anybody?
June 2, 2014, 04:39 AM
http://www.digitalrebellion.com/blog/posts/6_thing...
WWDC is tomorrow, where Apple is likely to announce a new version of OS X. Here's what we'd like to see.1. AV Foundation improvementsThere are so many improvements needed for AV Foundation that it merits an article of its own, but a few would be expanded codec support, easier extensibility, LOTS of bug fixes and the ability to stream Airplay video without ugly hacks.2. Mac App Store improvementsApple should allow app developers to request exemptions from sandboxing rules. We feel that the ...
June 2, 2014, 04:39 AM
http://nofilmschool.com/2014/06/eq-tips-tricks-tac...
The art of manipulating sound is an occult practice, mysterious and daunting to outsiders, though in reality, like almost everything, a little education goes a long way and the information is out there if you look for it; since many filmmakers, though, are taught from the beginning (at least I was), to shoot MOS and concentrate solely on the visual, with sound a distant second, it can be a blind spot in their skill set, but a vital skill.
June 2, 2014, 04:39 AM
https://www.aotg.com/art-of-previs-series-of-videos/
Video 1: The Third Floor used the Xsens MVN motion capture system to do previs for X-Men: First Class.
June 2, 2014, 04:39 AM
http://www.cuttingedge.com.au/projects/i-frankenst...
In the first half of 2014, Cutting Edge worked closely on Stuart Beattie’s recent horror/sci-fi film I, Frankenstein.
June 2, 2014, 04:38 AM
http://animationguildblog.blogspot.ca/2014/06/worl...
Then there are some CG-heavy movies that have been reaping large numbers...
June 2, 2014, 04:38 AM
http://www.moviemaker.com/blog-main/wisdom-wednesd...
Legendary editor Thelma Schoonmaker shares the lessons she’s learned from over three decades in the cutting room, courtesy of MovieMaker Magazine.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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