To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Full Swing, Studio Swing; and How to Work with Vid

May 24, 2014, 10:07 AM

http://wolfcrow.com/blog/what-is-full-swing-studio...

In Part One we looked at the meanings of full swing and studio swing, and when to use which. In this part, we’ll look at how Adobe Premiere Pro handles full swing and studio swing, and how you should go about your workflow.

THE MACHINE: UI Breakdown by Bait Studio

May 24, 2014, 10:07 AM

http://www.artofvfx.com/?p=8050

Bait Studio purpose a nice UI Breakdown video for THE MACHINE...

MASH 3 Released, Sees Instancer Support for Viewpo

May 24, 2014, 10:07 AM

http://lesterbanks.com/2014/05/mash-3-released-see...

MASH 3 release gets Maya viewport 2 support and new interface changed that will make it more streamlined to use Advertise here with BSA The post MASH 3 Released, Sees Instancer Support for Viewport 2 originated on LESTERBANKS.

Controlling Complex Xgen Primitives in Maya 2015

May 24, 2014, 10:06 AM

http://lesterbanks.com/2014/05/controlling-xgen-ma...

learn the ins & outs of using Xgen for Maya 2015 with a look at using and controlling Xgen for different scenarios Advertise here with BSA The post Controlling Complex Xgen Primitives in Maya 2015 originated on LESTERBANKS.

SpeedGrade Looks

May 24, 2014, 10:06 AM

http://digitalfilms.wordpress.com/2014/05/24/speed...

In a previous post, I discussed how to use Final Cut Pro X Color Board presets. For that post, I created a set of presets and made them available as a free download. That remains one of the most viewed blog posts I’ve written and literally thousands of readers have downloaded the presets. In this […]

How To Update Your Dongle with the Application Man

May 24, 2014, 10:06 AM

https://www.aotg.com/how-to-update-your-dongle-with-the-application-man/

Avid Professional Services and Customer Support now bring you the new 'How To' series covering basic operation of your Avid software, system troubleshooting, quick tips, and much more. Subscribe...

View from the top: In depth Interview with Russ Do

May 24, 2014, 03:55 AM

http://www.redsharknews.com/post/item/1707-intervi...

Russ Dodgson is Head of Nuke at Framestore, and a VFX guru responsible for some of the most memorable CGI achievements of recent years NukeFramestoreScanScan pro videoVelicity competitionFXPHDSkyfallGravityAudrey Hepburn

‘Technicolor Toons’ May 29

May 24, 2014, 03:54 AM

http://www.awn.com/news/animation-breakdown-presen...

Tickle your senses and amaze your eyes with Animation Breakdown’s ‘Technicolor Toons,’ a one-night-only screening of 35mm Technicolor cartoons from the ‘30s, ‘40s and ‘50s presented by animation historian Jerry Beck.

Color My World

May 24, 2014, 03:54 AM

http://www.jimwicks.com/color-my-world/

I am passionate about my art, my craft, my business. As an artist, I use color to evoke emotions, and help tell a story. To do this, I use a trained eye for color, passion for film and television, and experience at using the tools of my trade. I use it all to bend hue, light, and shadows to create something new and exciting. This is only where the story begins.

Analog Synthesis: The life and legacy of Bob Moog

May 24, 2014, 03:54 AM

http://www.engadget.com/2014/05/23/analog-synthesi...

For many, the name Robert Moog may only sound familiar due to the synthesizer company that bears his name... if at all. However, chances are you've likely heard one of the instruments that carry that label during the course of your Spotify or Rdio streaming sessions.

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