It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 20, 2014, 04:47 AM
http://feedproxy.google.com/~r/industryhappenings/...
May 28, 2014 Live performances are ideal opportunities for shooting with more than one camera. At the same time, shooting with multiple cameras has never been easier as cameras get smaller and cheaper and require less supporting gear to run. The real trick is not shooting with multiple cameras, but editing them. In this live online session, join host Larry Jordan, as he explains how to edit multiple camera shoots using Final Cut Pro X. Multicam editing is like being the director in the remot...
May 20, 2014, 04:47 AM
http://www.youtube.com/watch?v=UlNrGRkNkXc&feature...
NAB 2014: Sound Devices Jon Tatooles At NAB 2014, Sound Devices co-founder Jon Tatooles took some time to show us the company's two new Pix recorders on display at their booth - the Pix270i and ... From: postPerspective Views: 23 0 ratings Time: 03:01 More in Film & Animation
May 20, 2014, 04:46 AM
http://www.fcp.co/final-cut-pro/tutorials/1421-how...
Filip Vandoorne has put together a very detailed guide on how to use libraries on an NFS filesystem. Could this be a much cheaper option to Xsan? Is desktop shared storage here?
May 20, 2014, 04:46 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“Where in the world am I?” — Anna The signal has been sent. A plan was hatched...
May 20, 2014, 04:46 AM
http://postperspective.com/postchat-frontline-edit...
By Randi Altman This week’s #PostChat, the weekly post production conversation on Twitter, will feature veteran documentary cutter Steve Audette. He has been editing for 20 years, with about 50 documentary credits to his resume, including ones for Nova and Nova Science Now, Evolution, the short doc Nico’s Challenge (which he wrote, produced and directed), and the feature-length offering that […]The post #PostChat: ‘Frontline’ editor Steve Audette appeared first on postPerspect...
May 20, 2014, 04:45 AM
http://www.lafcpug.org/tutorials/basic_fcpx_10.1_s...
Final Cut Pro X user interface (UI) slowness, lagging, or "beach balling", can be caused by different things. When the spinning beach ball appears, it can mean that the hardware is trying to catch up to software requests or it can be a problem with a corrupt or incompatible file (preference, firmware, driver, app, plugin, media, etc).
May 20, 2014, 04:45 AM
http://www.larryjordan.biz/fcp-x-move-files-to-aud...
I’m of two minds about audio editing inside Final Cut Pro X. I like its ability to place and edit audio. But it comes up short when I need to clean-up poor audio or do some complex mixing. For this reason, I use Final Cut to mix audio for simple projects, but Adobe Audition when I need to get serious about my audio. (I don’t use ProTools because I’ve had such poor luck using iLoks.)
May 20, 2014, 04:45 AM
http://finalbug.net/blog/entry/390-editing-a-docum...
The job at hand is to edit a 60 minute documentary, colour correct the footage, perform a sound mix, add music and insert some motion graphics. At first glance things look relatively straight forward.
May 20, 2014, 04:44 AM
http://www.motionvfx.com/mblog/more_4k_monitors_su...
The number of available 4K monitors rises quickly and their price falls at a rate no slower.
May 20, 2014, 04:44 AM
http://www.hdwarrior.co.uk/2014/05/20/blackmagics-...
There are a vast array of codecs today and as an editor you can’t possibly be prepared for every eventuality mainly because every editing platform is limited as to what it accepts, FCPX 10.1.1 being a prime example. I have a Panasonic PX270 that decided to change the rules and give us fantastic pictures at 1080 50p LGop, FCPX as yet will not recognise LGop so you have one alternative to bring you footage in externally.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.