To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

NUGEN Audio Releases Paragon

October 21, 2020, 01:23 PM

https://www.aotg.com/nugen-audio-releases-paragon/

NUGEN Audio announces the latest addition to its software lineup – Paragon. The world’s first 3D-compatible convolution reverb, Paragon offers full control of the decay, room size and brightness via state-of-the-art re-synthesis modelled on 3D recordings of real spaces. It also provides an unprecedented level of tweak-ability, with zero time-stretching – which means no artifacts. Additionally, Paragon features spectral analysis and precise EQ of the Impulse Responses (IR).

#nugen audio#nugen#nugen paragon#paragon#reverb software
How to Create a Viscous Liquid Sim in Maya Bifrost

October 21, 2020, 12:26 PM

https://lesterbanks.com/2020/10/how-to-create-a-vi...

Reza Sarkamari shows how to simulate a viscous syrup using Bifrost and Arnold for rendering. A new tutorial from Reza Sarkamari breaks down how you can create a viscous liquid simulation using Maya and Bifrost. The tutorial

10 FREE Motion Graphics Templates for Premiere Pro

October 21, 2020, 12:26 PM

https://www.premiumbeat.com/blog/free-motion-graph...

With these FREE animated motion graphics templates for Premiere Pro, you can add some eye-catching animated titles to your edits — quickly and easily.

TUTORIAL: Six tips to improve your audio cleanup w

October 21, 2020, 12:26 PM

http://www.postmagazine.com/Video-Center/Gallery/T...

Accusonus is sharing six tips that can improve your audio clean-up workflow. In this video, audio pros can learn more about the recommended setup and the corrective use of Auto EQ; how to adjust the breath control module of Voice Leveler; and how to get improved De-Esser and Plosive Remover performance. In addition, the video details how Era 5 plug-in users can create optimal effect chains using the company’s Noise Remover.

Wander is the Ultimate Asset Search for After Effe

October 21, 2020, 12:26 PM

https://lesterbanks.com/2020/10/wander-is-the-ulti...

Mt. Mograph’s new Wander plugin finds and collects media effortlessly. You could spend a lot of time finding media and assets to work with tour After Effects project while in After Effects. The internet is

How to Better Understand Matrices in 3D

October 21, 2020, 12:26 PM

https://lesterbanks.com/2020/10/how-to-better-unde...

Loïc Pinsard explains Matrices, the core of any 3D application. Even if you are not a TD, you may have heard of Matrices when talking about 3D apps. While they seem overly cryptic for many, they

Adobe Max 2020: What’s New in Premiere and After

October 21, 2020, 12:25 PM

https://postperspective.com/adobe-max-2020-whats-n...

By Brady Betzel Even a pandemic can’t stop Adobe from updating its Creative Cloud apps. This year’s Adobe Max is even more special because for the first time it is completely free! From the famed writer/director/powerhouse Ava DuVernay to director Taika Waititi to one of my favorite Twitter follows, stop-motion animator Kevin Parry (@kevinbparry), Continue reading → October 20, 2020 The post Adobe Max 2020: What’s New in Premiere and After Effects appeared first on postPerspective.

VFX Supervisor Doug Larmour on The Alienist: Angel

October 21, 2020, 12:25 PM

https://postperspective.com/the-compelling-vfx-of-...

By Daniel Restuccio While the visual effects on Season 1 of TNT’s The Alienist were impressive, the team took it to a new level for Season 2, The Alienist: Angel of Darkness. To illustrate Caleb Carr’s macabre and disturbing tale of a serial baby killer, the level of detail and scope of the VFX was ramped up even further this season. Continue reading → October 20, 2020 The post VFX Supervisor Doug Larmour on The Alienist: Angel of Darkness appeared first on postPerspective.

ART OF THE CUT WITH the Luis Carballar, editor of

October 21, 2020, 12:25 PM

https://www.provideocoalition.com/aotc-charm-city-...

Today, we’re talking with Luis Carballar. I asked Art of the Cut fans who I should interview and his name came up from several people who cited his work on the TV series Narcos. Luis – who started cutting TV spots – has cut numerous feature films including Amores Perros, The Devil’s Double, Sin Nombre, [...]Read More...

2020 Clio Awards Jury Announced!

October 21, 2020, 12:25 PM

https://roosterpost.wordpress.com/2020/10/20/2020-...

Rooster Post’s Michelle Czukar has been selected as a member of the Film Craft: Editing Jury for this year’s Clio Awards!

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