To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Behind the scenes with colorist Thomas Bergman

April 30, 2014, 12:38 PM

http://blogs.adobe.com/movingcolors/2014/04/30/beh...

Recently Adobe TV posted a beautiful video created by Thomas Bergman of Silbersalz Film, a production company located in Stuttgart, Germany. The film is one of my all-time favorites: their production quality is stunning. Their work illustrates the impact of  “creative looks” on moving images, and shows the range of a professional color grading application for shaping narrative visually. Needless to say, I am proud that the company is an all-Creative Cloud, all-SpeedGrade post...

NAB 2014 Review: Gear that Will Make You Go Ahh

April 30, 2014, 12:38 PM

http://feedproxy.google.com/~r/CrewsControl/~3/V0G...

After NAB each year one question gets tossed around between our clients, crews, and friends on social media. “What did you see at NAB that we need to check out?” We talk about production gear that we will showcase on our video podcast Information Overdrive. Our friends chat about cool solutions they played with on the NAB show floor. Here is Crews Control’s list of new and noteworthy equipment and solutions from NAB 2014. Read More

Red Giant release Universe, the community driven e

April 30, 2014, 12:37 PM

http://www.fcp.co/final-cut-pro/news/1412-red-gian...

The beta has finished, Red Giant has announced that their new collection of plugins called Universe has now been officially released. There are multiple price plans and subscriptions available.

Broader Appeal

April 30, 2014, 07:46 AM

http://animationguildblog.blogspot.ca/2014/04/broa...

While we're on the subject of DreamWorks Animation...

13-Year-Old Animator Wins Aardman Contest

April 30, 2014, 07:46 AM

http://www.animationmagazine.net/people/13-year-ol...

A young teen from the large English town of Milton Keynes will get to see her stop-motion animated short air across the nation after winning a filmmaking competition presented by Aardman Animations and The Big Lunch — a community-building initiative from the Eden Project which encourages neighbors to get together on the first Sunday in June for a shared meal.

Only God Forgives VFX Breakdown

April 30, 2014, 07:46 AM

https://www.aotg.com/only-god-forgives-vfx-breakdown/

Visual effects breakdown of Nicolas Winding Refn's masterpiece Only God Forgives VFX Supervisor Martin Madsen

How to Achieve 3D Tracking and Stabilization in AE

April 30, 2014, 07:46 AM

http://wolfcrow.com/blog/how-to-achieve-3d-trackin...

We’ll take a look at the built-in 3D capabilities of the application. We will learn how to create lights, cameras, and 3D layers. We’ll also learn how to use Depth-of-Field and how to apply 3D-specific effects. And finally we’ll explore Motion Tracking, Footage Stabilization, and 3D Camera Tracking.

DSLR Editing Workflow in Adobe Premiere Pro CC

April 30, 2014, 07:45 AM

http://wolfcrow.com/blog/dslr-editing-workflow-in-...

Jason Levine walks you through the basics of importing footage from your DSLR directly into Adobe Premiere Pro, selecting clips, setting In/Out points, and building a sequence...

Coolorus 2.0 for Photoshop ships

April 30, 2014, 07:45 AM

http://www.cgchannel.com/2014/04/coolorus-2-0-for-...

The Coolorus team has released Coolorus 2.0, an updated version of its inexpensive colour wheel add-on for Photoshop, in use at studios including Blur, Blizzard and Naughty Dog.

Red Giant unveils Universe online plugin library

April 30, 2014, 07:45 AM

http://www.cgchannel.com/2014/04/red-giant-softwar...

Supernova, Red Giant Software’s in-house plugin development tool. A library of pre-built image-processing modules, Supernova was used to create the 50 new plugins in Universe, the company’s new free online library.

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