It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 29, 2014, 04:02 PM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK — Manhattan Edit Workshop, an authorized digital training destination for post production and content creators, has announced its list of guest speakers and panelists for its one-day event, Sight, Sound & Story. The event is scheduled to take place on June 14th at the French Institute in mid-town Manhattan and will celebrate the art of post production.
April 29, 2014, 04:01 PM
http://postperspective.com/sgo-mistika-support-dol...
SGO’s color grading and finishing platform Mistika will support Dolby Vision technology in its next available version, enabling the display of high dynamic range (HDR) images with wider color gamut capabilities. SGO, working in close collaboration with Dolby, intends to make the Dolby Vision workflow capabilities available in Mistika from V.8.2, which was previewed at […]The post SGO Mistika to support Dolby Vision appeared first on postPerspective - Randi Altman's postPerspective.
April 29, 2014, 04:01 PM
http://postperspective.com/review-mediasilo-premie...
By Brady Betzel A few months ago I reviewed a cloud-based asset management and collaboration platform called Aframe. After that review hit, many people emailed asking how I “really” felt about it, and would it work in different production scenarios. Competitors also reached out asking if I could review their product too. My Forbidden Technologies […]The post Review: MediaSilo with Premiere/Prelude integration appeared first on postPerspective - Randi Altman's postPerspective.
April 29, 2014, 04:01 PM
http://www.premiumbeat.com/blog/using-adobe-speedg...
Make the most of Adobe Speedgrade CC by incorporating its color correction and grading capabilities into your post production workflow.
April 29, 2014, 04:01 PM
http://feeds.redgiantsoftware.com/~r/redroomblog/~...
Hi Folks – About 8 weeks ago we announced the Public Beta of Red Giant Universe. Today, we’re proud to officially launch Universe, as well as Red Giant Universe Premium Membership. What is Red Giant Universe? Red Giant Universe is a community that gives members access to fast and powerful free tools for editing, filmmaking, [...]
April 29, 2014, 04:01 PM
http://provideocoalition.com/mspencer/story/tracki...
How can you track an object in Final Cut Pro X - and why would you want to? In this episode of MacBreak Studio, Steve Martin answers the second question to provide context and motivation for the first. In a nod to Alfred Hitchcock's movie Notorious, Steve wants...
April 29, 2014, 03:00 PM
https://www.cospective.com/frankie/journal/embassy...
Johannesburg, South Africa: Apr. 28, 2014… Both cineSync and Frankie, the review-and-approval tools from Cospective, were used to complete a humorous campaign of three TV commercials by Embassy, the South African production and post company. Using remote approval sessions between its suites in Johannesburg and Cape Town, Embassy was able to complete the project in two weeks for the South African theater chain, Ster-Kinekor. Using these two tools from Cospective, Embassy has demonstrated a cohe...
#cinesync#video review#frankie#tv commercials#online reviewApril 29, 2014, 12:47 PM
http://www.theblackandblue.com/2011/08/19/7-diffic...
The freelance lifestyle is a tough sell to your friends and family who are used to traditional types of jobs. You know, the kind of jobs where you wear a suit and tie, shave every morning, smile at the boss, and, well, earn a steady paycheck. To them, freelancing is the complete antithesis of that.
April 29, 2014, 12:47 PM
http://www.artofvfx.com/?p=7754
Last year, Bryan Grill explained to us in details the work of Scanline VFX on IRON MAN 3. He is now back in the Marvel universe with CAPTAIN AMERICA. THE WINTER SOLDIER.
April 29, 2014, 12:46 PM
http://www.surfacedstudio.com/blog/after-effects-3...
The 3D Camera Tracker in Adobe After Effects is a powerful tool that lets you analyse your footage and extract information about the movement of the real life camera used to film the scene. Assuming the tracking data is spot on, you can then place other visual elements in the 3D space of your scene and they will follow the movement of the camera correctly.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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