To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

2021 Oscars Best Editing Predictions

October 15, 2020, 12:31 PM

https://variety.com/feature/2021-oscars-best-editi...

This category typically correlates to best picture but as we’ve seen with past winners like “Birdman,” that’s not always the case. Plenty of usual suspects in the mix like Kirk Baxter and the still unrewarded Tariq Anwar. There have been only four women who have won this category in the last 20 years and (for the moment) Chloe Zhao looks to be the best shot but there are six more months to go.

Le montage, technique et esthétique #9

October 15, 2020, 12:31 PM

https://journaldunemonteuse.wordpress.com/2020/10/...

Chaque semaine, un extrait du livre Le montage, technique et esthétique. https://www.armand-colin.com/le-montage-technique-et-esthetique-fiction-documentaire-serie-nouvelles-ecritures-9782200627218 « Le documentariste doit être comme les peintres. Il doit créer quelque chose, par le regard, mais pas seulement. C’est quelque chose qui est en toi et qui vient … Lire la suite →

Art Of The Cut Podcast Eps. 6 (Oscar, Emmy & ACE E

October 15, 2020, 12:31 PM

https://www.provideocoalition.com/art-of-the-cut-p...

The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows [...]Read More...

‘Joker’ & ‘Westworld’ VFX Supervisor Bryan

October 14, 2020, 05:53 PM

https://deadline.com/2020/10/joker-westworld-vfx-s...

EXCLUSIVE: Global VFX house DNEG has bolstered its offering in Los Angeles with the appointment of visual effects supervisor Bryan Godwin.

TSL Products Supports Virtualisation

October 14, 2020, 05:34 PM

https://www.aotg.com/tsl-products-supports-virtualisation/

Virtualisation is now at the forefront of broadcast workflows as a result of COVID-19 and the shift in how many stations across the globe are now operating throughout the industry. Today more than ever, broadcast operators require remote production solutions that allow for the virtualisation of key tasks while keeping staff safe.

#broadcast#tsl products#remote production
MR Factory Delivers Real Time Virtual Production

October 14, 2020, 02:43 PM

https://www.aotg.com/mr-factory-delivers-real-time-virtual-production/

Blackmagic Design today announced that MR Factory has deployed six URSA Mini Pro 4.6K G2 cameras, each paired with an Ultimatte 12 compositing processor, as the live action element of its 4K virtual production system.

#blackmagic design#davinci resolve studio#ursa mini pro g2#ultimatte 12#hyperdeck studio 12g#smart videohub 12g 40x40
I am Avid — Meet Editor Daysha Broadway

October 14, 2020, 12:31 PM

https://www.youtube.com/watch?v=NJSwQOrf10w

I am Daysha Broadway. I am a television editor. I am Avid. Hear from creators like you ▶️ https://www.avid.com Follow Avid: https://facebook.com/avid https://instagram.com/avidtechnology https://twitter.com/avid https://www.linkedin.com/company/avid-technology https://www.snapchat.com/add/avidtechnology https://www.tiktok.com/@avidtechnology

How to Recolor Echo and Repeaters With Colorama in

October 14, 2020, 12:31 PM

https://lesterbanks.com/2020/10/how-to-recolor-ech...

Nick Greenawalt demystifies Colorama and shows how to color Echo and Repeaters. To no fault of the user, it’s often difficult to understand how Colorama in After Effects works. While most apps standardized on color

How to Create a Rain Puddle and Ripple Shader With

October 14, 2020, 12:31 PM

https://lesterbanks.com/2020/10/how-to-create-a-ra...

Yohan Dsouza shows how to create ripples and puddles in an Arnold Shader using Maya. A new tutorial from DSZ arts (Yohan Dsouza) walks through building a rain-effect shader in Maya, using Arnold. The tutorial

How to Use the Tooled Steel OSL Shader With Arnold

October 14, 2020, 12:31 PM

https://lesterbanks.com/2020/10/how-to-use-the-too...

Lee Griggs shows how to set up a neat tooled steel OSL shader with Arnold. OSL shaders are ubiquitous, meaning that you can use any OSL shader in any application that supports open shader language.

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