It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 22, 2014, 04:16 PM
http://renderplease.tumblr.com/post/83530803330
To the producer, I’m like: But in my head I’m like:
April 22, 2014, 04:16 PM
http://renderplease.tumblr.com/post/83531711369
It all comes down to who the Post Supe is looking at your resume. (Half kidding, maybe like 78.3%...
April 22, 2014, 04:16 PM
http://provideocoalition.com/pvcexclusive/story/pv...
Woody Woodhall talks with Luke Smith, North American Sales Manager at Waves, about the new products Waves had to showcase at NAB. They discuss some new plug-ins, new hardware and Woody digs into the details around how you can utilize old plug-ins. PVC at NAB...
April 22, 2014, 04:16 PM
http://provideocoalition.com/pvcexclusive/story/pv...
David Gibbons, VP of Marketing at Ustream, talks to us about how the Ustream platform gives individuals and organizations the ability to easily send their message to the entire world. He also tells us about being voted the #1 live video platform, new features such as channel managers and their...
April 22, 2014, 12:49 PM
http://www.indiewire.com/article/11-things-heard-a...
It's no surprise that Thelma Schoonmaker was the Tribeca Film Festival's choice for a panel about editing in film. Few editors have had more fruitful collaborations than the one between Schoonmaker and Martin Scorsese, which began in 1967 on "Who's That Knocking on My Door" and resumed in 1980 with "Raging Bull." Schoonmaker has edited all of Scorsese's features since that LANdmark, but for "The Cutting Room: An Insight to the Edit Suite" masterclass that took place over the weekend in New York,...
April 22, 2014, 12:48 PM
https://www.aotg.com/ves-youtube-playlist/
The Visual Effects Society announced the launch of its new YouTube channel dedicated to visual effects. It contains interviews, conference abstracts of VES and playlists collecting videos visual effects. Currently, the proposed on behalf videos are relatively short (maximum 3 minutes, and often less than a minute). Below is an example of the proposed content: interviews.
April 22, 2014, 12:48 PM
http://www.postmagazine.com/Press-Center/Daily-New...
WHITE PLAINS, NY — The Society of Motion Picture and Television Engineers (www.smpte.org), the professional membership association for motion-imaging standards and education for the communications, media, entertainment, and technology industries, has announced a call for papers for a special student issue of the SMPTE Motion Imaging Journal, as well as for the SMPTE Student Paper Award. SMPTE is also accepting applications for the Louis F. Wolf Memorial Scholarship.
April 22, 2014, 12:48 PM
http://postperspective.com/quick-chat-mpc-colorist...
By Randi Altman London — Moving Picture Company’s Richard Fearon, a London Film School graduate, became a full-time colorist back in 2006 when the company he was with asked him to go to Mumbai to grade commercials. The move made sense. He was trained as a junior — grading promos and short films. “Luckily for me, back […]The post Quick Chat: MPC Colorist Richard Fearon appeared first on postPerspective - Randi Altman's postPerspective.
April 22, 2014, 12:47 PM
http://provideocoalition.com/ssimmons/story/pvc-at...
The EditShare booth is always a good stop at NAB as you can cover both storage and its many flavors as well as editing in stop. While EditShare offers many different storage options I wanted to take a look at the Field units that we reviewed on PVC last year (in the field and in the edit). And, of course, there’s that little thing called Lightworks and that beta that is supposedly finally coming to the Mac.
April 22, 2014, 12:47 PM
https://www.videoguys.com/Blog/E/Adobe+Premiere+Pr...
Apple’s inclusion of dual GPUs in every model of their new Mac Pro has caused a bit of a stir (and confusion) among video editors wondering if their NLE of choice can take advantage of them. Applications don’t automatically detect and use multiple GPUs; the drivers must support them, and the software must be written to exploit them. It’s expected that Apple’s own Final Cut Pro can; many seem to assume that Adobe’s Premiere Pro can’t – but that’s not the case.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.