To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Road Trip to Avid Video

March 20, 2009, 12:31 PM

http://hdfilmtools.com/2009/03/road-trip-to-avid-a...

Frank Capria has been at the forefront of digital content creation technologies since its earliest beginnings. New England based Capria was one of the first adopters of digital editing on the Avid Media Composer upon the systems release in 1989. His credits include work on landmark PBS series including, Eyes on the Prize, Frontline, Nova and American Experience. In 2001 Frank went on to found Kingpin Interactive, a New Media services company, which created award winning programming, websites...

Time Stands Still for 'Watchmen' Editor

March 19, 2009, 12:30 PM

http://www.videography.com/articlefeatures/80340

When Editor William Hoy, ACE, re-teamed with Director Zack Snyder for Watchmen, the two knew they were embarking on a project with challenges tougher even than those they faced on their previous outing, the epic 300. While that graphic-novel-based feature melded CGI, post-heavy speed changes and virtual camera moves, Watchmen would also have its share of digital set extensions, postproduction "camera effects" and CGI work. And it would have a very bizarre group of superheroes whose behavior...

That Post Show

March 18, 2009, 12:29 PM

http://lifezero.squarespace.com/thatpostshow

We've added That Post Show to our Podcast section. You can go there to link to it or simply follow our link.

Editors Talk Coming

March 16, 2009, 12:27 PM

http://www.editorslounge.com/nextevent.html

The Editors Lounge and Alpha Dogs will be putting on a special event. The panel with cover editing Film and Reality TV as well as Online Editing. To take part in the event which will occur on March 27th at 6:30PM at Alpha Dogs in LA.

Quicktime Conundrum, Part 2: Solved by our Readers

March 13, 2009, 12:26 PM

http://provideocoalition.com/index.php/aadams/stor...

A couple of great suggestions for creating flawless H.264 Quicktime—and Flash!—movies popped up in the comments section of my last article. They deserve their own article. Reader Brandon Cory suggests that exporting a Quicktime reference movie from Final Cut Pro in the Animation codec and then running that through Compressor’s H.264 encoder should retain the proper gamma settings.

The Quicktime Conundrum pt. 1

March 13, 2009, 12:25 PM

http://provideocoalition.com/index.php/aadams/stor...

There’s nothing like waking up in the morning and realizing that your chief marketing tool is probably driving away more clients than it’s attracting. I both love, and hate, Quicktime. Flash is the universally accepted method of viewing video on the web but it doesn’t seem to be an easy or cost-effective tool for those of us who want to manage our own showreel web sites.

Avid Enters the Third Dimension

March 12, 2009, 12:23 PM

https://www.editorsguild.com/FromTheGuild.cfm?From...

With the release March 2 of software versions of Media Composer 3.5 and Symphony 3.5, Avid Technology, Inc. has announced an all-new open architecture that will ultimately facilitate a host of new workflows for file-based cameras, in addition to new Stereoscopic 3-D capabilities, better integration with ProTools and the long-awaited "death of the dongle key." The company has also taken the opportunity provided by this new release to add another group of new features and performance...

Avid Unveils HD News Solution

March 10, 2009, 12:23 PM

http://www.avid.com/US/press-room/HD-News-Solution

Avid today unveiled an end-to-end HD news solution that enables broadcasters to produce HD programming more cost-effectively. With this powerful solution, broadcasters can easily acquire, edit, network, manage assets, playback and control functionality of Sony XDCAM HD (LongGoP HD MPEG2) content, with a workflow designed to deliver significant time, storage and bandwidth savings.

One Movie, Two Editors, Three Dimensions

March 9, 2009, 12:21 PM

https://www.editorsguild.com/magazine.cfm?ArticleI...

You feel as a viewer that you’re inside the movie," says Joyce Arrastia, describing the new, three-dimensional film Monsters vs. Aliens from DreamWorks Animation and Paramount Pictures, which she and Eric Dapkewicz edited. "Rather than feeling like the characters are popping out of the screen, you feel like you are sitting in their fantasy world."

Four Short Conversations About Editing

March 9, 2009, 12:21 PM

https://www.editorsguild.com/magazine.cfm?ArticleI...

Future Media Concepts thinks it has an idea. The national training center concentrates on prepping future and current users of digital media—the most popular classes covering, of course, the top NLE applications from Apple and Avid, but there’s more on many of the other products you’d imagine it’s useful to learn: Adobe Photoshop and After Effects, Autodesk 3ds Max and Maya, sound design, website design and development and more.

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