To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Fire at Sea: How to grade for documentary

February 27, 2017, 07:12 AM

http://www.redsharknews.com/post/item/4383-fire-at...

Colourist Andrea Orsini reveals the ways in which DI can craft nonfiction through his work on Oscar-nominated Fire at Sea. GradingDocumentariesfire at seadocumentary film

Creating colors, Themes and exploring color.adobe.

February 26, 2017, 04:09 PM

https://www.aotg.com/creating-colors-themes-and-exploring-color-adobe/

Creative Cloud connects all your applications together so sharing colors and themes is a click away. This tutorial walks you through creating and saving colors, creating Themes on color.adobe.com and how to get around a little hiccup in Premiere Pro and color libraries.

Colorist Bryan McMahan Joins Roundabout Entertainm

February 23, 2017, 03:09 PM

http://www.broadcastbeat.com/colorist-bryan-mcmaha...

Award-winning colorist, whose credits include the Terrence Malick films “Weightless” and “Knight of Cups”, joins expanding division focused on theatrical mastering. BURBANK—February 23, 2017— Veteran Digital Colorist Bryan McMahan has joined Roundabout Entertainment. A frequent collaborator of Terrence Malick, McMahan has colored six films for the director dating back to the 2005 release The New ...

"Taboo" Graded with DaVinci Resolve Studio

February 23, 2017, 01:29 PM

https://www.aotg.com/taboo-graded-with-davinci-resolve-studio/

Blackmagic Design today announced that Goldcrest Post has completed picture post on “Taboo,” a major new BBC drama series starring Tom Hardy, using DaVinci Resolve Studio together with the DaVinci Resolve Advanced Panel.

#editing#post production#color correction
Blackmagic Design Congratulates Oscar Films

February 16, 2017, 11:00 AM

https://www.aotg.com/blackmagic-design-congratulates-oscar-films/

Blackmagic Design would like to congratulate all the 2017 Oscar nominated films and the production professionals whose hard work and creativity helped bring them to life. Blackmagic Design is honored that its Pocket Cinema Camera digital film camera, as well as its DaVinci Resolve Studio editing, grading and finishing solution, were used on some of this year’s Oscar nominated films, including “Hacksaw Ridge,” “Arrival” and “Moonlight.”

#color grading#post production#color correction
DI Colorist Joe Gawler on the Thoughtful Sci-Fi Ep

February 15, 2017, 05:28 PM

http://www.studiodaily.com/2017/02/di-colorist-joe...

Science-fiction movies about alien visitations aren't generally thought of as Oscar bait. But director Denis Villeneuve's SF film is a triumphant exploration of inner space, revealing over time the peculiar state of mind of its protagonist, Louise Banks (Amy Adams), … more » The post DI Colorist Joe Gawler on the Thoughtful Sci-Fi Epic Arrival appeared first on Studio Daily.

Color and Texture Customization Using Vray

February 10, 2017, 07:20 AM

http://www.cgmeetup.net/home/color-and-texture-cus...

Now you can edit the VRscans materials in a way to change the material color or place a custom texture.

4 Essential AE Color Grading Tutorials

February 7, 2017, 01:15 PM

https://www.rocketstock.com/blog/4-essential-after...

Expert-level color grading skills are not something a video editor acquires overnight. It takes time and work to learn the detailed nuances and workflow tips and tricks to color grade at a professional level.

“Free and Easy” Graded with DaVinci Resolve St

February 2, 2017, 01:14 PM

https://www.aotg.com/free-and-easy-graded-with-davinci-resolve-st/

Blackmagic Design today announced that its professional editing and grading software DaVinci Resolve Studio and DaVinci Resolve Advanced Panel were used by Beijing based Homeboy Digital Film Laboratory for color grading and finishing “Free and Easy,” the only Chinese feature film selected for the World Cinema Dramatic Competition of the 2017 Sundance Film Festival.

#editing#color grading#post production
1 50 51 52 53 54 142

© 2007-2025 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.