To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Flesh and Blood Graded with DaVinci Resolve

March 14, 2017, 01:40 PM

https://www.aotg.com/flesh-and-blood-graded-with-davinci-resolve/

2017 South By Southwest (SXSW) debut film “Flesh and Blood” was shot with several of Blackmagic Design’s digital film cameras, including URSA Mini 4.6K, Production Camera 4K and Pocket Cinema Camera, by DP Patrice Lucien Cochet. Producer and Post Production Supervisor Dustin Hughes also used Blackmagic Design’s professional editing, color grading and finishing solution DaVinci Resolve Studio to color grade the film, as well as Fusion for visual effects (VFX) work.

#vfx#color grading#post production
A Few Less Men Graded with DaVinci Resolve Studio

March 13, 2017, 10:13 AM

https://www.aotg.com/a-few-less-men-graded-with-davinci-resolve-studio/

Blackmagic Design today announced that DaVinci Resolve Studio was used by Colorist Deidre McClelland, CSI, to grade the hit comedy sequel “A Few Less Men” at full-service post studio The Post Lounge’s new Melbourne facility.

#vfx#color grading#post production#color correction
Working with Color in Adobe Premiere Pro with Karl

March 7, 2017, 08:08 AM

https://www.aotg.com/working-with-color-in-adobe-premiere-pro-with-karl/

Karl Soule joined us and went in-depth into the features of the Lumetri Color Panel within Premiere.

Cine Plus Delivers HDR Grade with DaVinci Resolve

March 6, 2017, 11:31 AM

https://www.aotg.com/cine-plus-delivers-hdr-grade-with-davinci-resolve/

Blackmagic Design today announced that Berlin post house Cine Plus has completed its first high dynamic range (HDR) grade in DaVinci Resolve Studio for German national broadcaster ARD’s feature length thriller, “Sanft Schläft der Tod.”

#color grading#post production#hdr#color correction
How to Add LUTs in Premiere Pro (And 35 Free LUTs)

March 6, 2017, 06:16 AM

https://www.premiumbeat.com/blog/adding-luts-in-pr...

Learn how to add LUTs to the Premiere Pro dropdown menu — with 35 Free LUTs.

Managing Westworld with a state of the art LUT wor

March 4, 2017, 08:07 AM

http://www.redsharknews.com/post/item/4395-managin...

Creatives working on Westworld had an elegant solution for co-ordinating looks between the set and post production. WestworldTeradekGradingDailies

Looking at the ACES color workflow on Café Societ

March 2, 2017, 05:33 PM

http://postperspective.com/looking-aces-color-work...

By Sarah Priestnall Last year’s Café Society marked a milestone in Woody Allen’s cinematic career — the first of his movies to be acquired digitally, mostly with the Sony F65 camera, and with additional use of the Sony F55. To accompany him in this endeavor, he turned to legendary Italian cinematographer Vittorio Storaro, Continue reading → March 2, 2017 The post Looking at the ACES color workflow on Café Society appeared first on Randi Altman's postPerspective.

DaVinci Resolve Tools and Tutorials

March 2, 2017, 09:09 AM

http://jonnyelwyn.co.uk/film-and-video-editing/dav...

If you're learning to be a better DaVinci Resolve colorist then this round up of professional tools and tutorials will help you improve your grading. Check it.

#plugins#davinci resolve#tutorials#tools
SGO to reveal Mistika 8.7 capabilities at InterBEE

February 27, 2017, 07:13 AM

http://www.sgo.es/sgo-to-reveal-mistika-8-7-capabi...

SGO will be showcasing Mistika version 8.7 with exclusive demonstrations on VR, HDR, Colour grading, 4K and 8K capabilities at

Sunday Sound Thought 61: The Colors Of Sound

February 27, 2017, 07:12 AM

http://designingsound.org/2017/02/sunday-sound-tho...

Through an article on one of y my favorite blogs, I recently learned about a rare neurological crossing of senses which is called Synesthesia. In one particular manifestation of the phenomena called Chromesthesia, individuals associate sounds with colors & even shapes. Not in a metaphorical sense, like we’re used to for describing sounds, but as […]

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