It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 24, 2021, 08:55 AM
https://www.artofvfx.com/shang-chi-and-the-legend-...
In 2015, Ara Khanikian told us about Rodeo FX‘s work on The Last Witch Hunter. He went on to work on numerous projects such as Kong: Skull Island, The Boys, We Can Be Heroes and Jungle Cruise.
September 24, 2021, 08:54 AM
https://www.artofvfx.com/nightbooks-behind-the-sce...
Netflix is taking us behind the scenes of Nightbooks and featuring Overall VFX Supervisor Matt Glover talking about the visual effects work (by Mr. X, NetFX and Whiskeytree) made on the movie:
September 23, 2021, 10:41 AM
https://www.blackmagicdesign.com/media/release/202...
Blackmagic Design today announced that Argentinian animation and visual effects (VFX) studio Malditomaus used Fusion Studio VFX and motion graphic software on Lionsgate and Twisted Pictures’ critically acclaimed horror film “Spiral: From the Book of Saw.”
#blackmagic design#fusion studioSeptember 23, 2021, 08:56 AM
https://postperspective.com/destin-daniel-cretton-...
By Iain Blair Director Destin Daniel Cretton is best known for his work on Just Mercy and The Glass Castle, emotionally powerful low-budget dramas that focused on characters and behavior, not spectacle and visual effects. So it was a big surprise to many when the indie director was tapped by Marvel to helm its VFX-heavy new tentpole Shang-Chi and the Legend of the Ten Rings, Continue reading → September 22, 2021 The post Destin Daniel Cretton Talks VFX and Directing Marvel’s Shang-Chi...
September 23, 2021, 08:52 AM
https://www.3dvf.com/v-ray-showreel-clients-2021/
Chaos dévoile une nouvelle bande démo consacrée aux projets ayant utilisé V-Ray ou Phoenix durant les 12 derniers mois.
September 23, 2021, 08:52 AM
https://www.themill.com/newsfeed/the-mill-secures-...
The Kinsale Shark Awards is a festival annually held in the beautiful fishing village of Kinsale, Ireland that strives to reward creative thinking and the best work in Advertising, Digital, Design, Short Films & Music Videos.
September 23, 2021, 08:51 AM
https://www.artofvfx.com/the-irregulars-vfx-breakd...
Let’s have a look at how BlueBolt recreated a period London for the Netflix series, The Irregulars...
September 22, 2021, 08:51 AM
https://lesterbanks.com/2021/09/see-whats-new-in-b...
Mocha 2022 offers speed and support for Ae’s multi-frame rendering. Boris FX recently launched a new version for Mocha, their award-winning planar tracking and roto tool. Mocha 2022 offers support for Adobe After Effects’ upcoming
September 22, 2021, 08:51 AM
https://beforesandafters.com/2021/09/21/vfx-future...
In this latest VFX Futures podcast episode, Ian Failes from befores & afters chats to Halon previsualization supervisor Ryan McCoy and Halon on-set supervisor Grant Olin about the visualization of Free Guy. Halon, an NEP Virtual Studios Company, crafted previs, techvis and postvis for the movie.
September 22, 2021, 08:50 AM
https://beforesandafters.com/2021/09/21/go-to-film...
This new video from Warner Bros. showcases a lot of the work that went into Space Jam: A New Legacy, including by VFX studio ILM. Visual effects supervisor Grady Cofer, associate VFX supervisor Vick Schutz, VFX producer Marissa Gomes and digital animation supervisor Kevin Martel are featured.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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