It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 26, 2014, 07:16 PM
http://lesterbanks.com/2014/03/adding-bloom-glare-...
The post notes that the lighting effect can happen in real life when you are taking a photograph of a light source that is much brighter than the surrounding environment.
March 26, 2014, 07:15 PM
http://lesterbanks.com/2014/03/overview-maya-2015-...
Autodesk Technical Specialist Steven Roselle offers a sweeping overview of the newest modeling features that are incorporated into Maya 2015. Last week, Autodesk announced 2015 versions of all their content creation applications, including Maya, 3ds Max, MudBox, MotionBuilder and the ill-fated SoftImage.
March 26, 2014, 03:13 PM
http://www.creativebloq.com/audiovisual/4k-change-...
Every few years, video reinvents itself. It had its humble standard definition beginnings, before transforming into HD and then going through a 3D phase. Now it wants to become 4K.
March 26, 2014, 03:12 PM
http://news.creativecow.net/story/874929
(Montreal, California--March 25, 2014) Matrox® Video today announced Monarch™ SDK, a comprehensive set of tools that lets systems integrators, hardware and software developers, programmers and IT professionals harness the streaming capabilities of Monarch HD streaming appliances from within their own custom applications running on any platform — PC, Mac, mobile devices or automation systems.
March 26, 2014, 03:12 PM
http://www.awn.com/vfxworld/animation-and-vfx-spri...
With the snow and ice finally melting – or, in some places, hopefully soon to the on the brink of melting – marketing campaigns are heating up for some of the biggest films of the year. This spring offers sequels of both the highly anticipated and highly questionable varieties, as well as some promising re-imaginings of beloved characters. Which will measure up? Which will get us to plunk down our hard-earned cash for a ten dollar ticket and a six dollar bucket of popcorn? And which companie...
March 26, 2014, 03:12 PM
http://soundworkscollection.com/news/the-story-of-...
Having developed modules for the world's leading mixing consoles, the company's first recording console, the Focusrite Forté, was launched, before a streamlined version called the Studio Console was put into production. Only 10 Studio Consoles were ever made, and six remain in operation to this day -- the documentary tells the stories of these consoles and the people who used them.
March 26, 2014, 03:12 PM
http://lesterbanks.com/2014/03/link-colors-across-...
Paul Conigliaro has a look at some workflow tricks for getting things done quickly. In this case, showing how you can use the After Effects Expression controls to drive color across an entire project. This can be a great time-saver, especially if you know that there will be a possibility of some color changes across all of your deliverables, including versioning or different brand, product or style colors.
March 26, 2014, 03:11 PM
http://twainthestoryteller.com/2014/03/26/frame-of...
Joe Walker is best known as Steve McQueen’s editor having cut “12 Years A Slave,” “Shame” and “Hunger.’ Originally working in London, his editing on films such as “Harry Brown” and “Life in A Day” put him in the international spotlight. But it is his contribution to “12 Years A Slave” that brought him nominations […]
March 26, 2014, 03:05 PM
http://www.shootonline.com/news/rachelle-madden-na...
SHOOT reports on the new Executive Director at AICE, the Association of Independent Commercial Editors, the post production trade association.
March 26, 2014, 12:58 PM
http://logic-pro-expert.com/logic-pro-blog/2014/03...
Groove3 instructor and Logic Pro Expert team member Eli Krantzberg has just released a new series of Logic Pro X video tutorials that guides you through all aspects of signal flow in Logic Pro X. Three sample videos are free to watch.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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