It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 21, 2014, 11:42 AM
https://www.videoguys.com/Blog/E/Introducing+Boris...
March 21, 2014, 11:42 AM
http://roosterpost.wordpress.com/2014/03/21/editor...
Pleasing the very hard to impress Nonna, the picky star of IKEA’s latest television commercial, is all in a day’s work for Rooster Post Production senior editor Marc Langley. This amusing spot created by Leo Burnett and directed by The … Continue reading →
March 21, 2014, 10:34 AM
http://www.intopix.com/news/index/readmore/id/85/l...
At the upcoming NAB show, intoPIX (booth C5243) is showcasing the world first hardware implementation of the TICO patent-pending lightweight disruptive compression technology running on FPGA.
March 21, 2014, 07:34 AM
http://www.dazeddigital.com/artsandculture/article...
Under the Skin's sound designer and music producer on how they created an ethereal symphony
March 21, 2014, 07:34 AM
http://animationguildblog.blogspot.ca/2014/03/cons...
There's another report out about how California's entertainment industry is currently starved for oxygen and thus eating it.
March 21, 2014, 07:34 AM
http://digitalcinemacafe.com/2014/03/21/fcg030-the...
This interview was without a doubt the most fun I’ve ever had on The Grill. You may know him as The Cranky Editor, or Chairman Meow. James Miller has been using Final Cut Pro since Version 1 but avoided FCPX until January of this year. He has a very interesting story in which he claims the biggest motivation for jumping the FCPX was actually Premiere Pro. I promise you’ll love this episode.
March 21, 2014, 07:34 AM
http://www.cgchannel.com/2014/03/blender-2-70-ship...
An early developer demo of the new volumetric rendering capability in Blender’s Cycles engine. The new functionality has been incorporated into Blender 2.70, which has just been officially released.
March 21, 2014, 07:34 AM
Cinesite is proud to announce that Chloë Grysole has joined as the General Manager of their newly opened Montréal studio, and with her the start of two major productions.
March 21, 2014, 07:33 AM
http://vfxsoldier.wordpress.com/2014/03/20/the-suc...
Some in the VFX community are going starry-eyed over some potential carve out for VFX in the CA film subsidy bill. Some have been given the impression that if we continue support for the legal effort to place anti-subsidy duties on subsidized visual effects these provisions will be thrown out and it will be all ADAPT’s fault!
March 21, 2014, 07:33 AM
http://events.creativecow.net/event/3501/ica-201-a...
This new class is designed around a small conformed sequence that you can take away. We will work through the project from start to finish not only looking at Resolve, but also using general colorist strategies. You will be able to keep the project and stills, a great way to continue your learning.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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