To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Editor Jen Dean joins the team at Cut+Run

September 29, 2020, 11:06 AM

http://www.postmagazine.com/Press-Center/Daily-New...

NEW YORK CITY — Cut+Run (https://cutandrun.com) has added editor Jen Dean to its family of talent. A native Texan, she went from studying experimental cinema with Stan Brakhage and Phil Solomon to assisting Hank Corwin for many years at Lost Planet. Both experiences proved invaluable, as she became an editor in her own right, developing a personal style that embraces her interests in fashion, documentary and the blending of multimedia.

How to Create a Fireball Effect in Blender

September 29, 2020, 11:06 AM

https://lesterbanks.com/2020/09/how-to-create-a-fi...

Jacob Swing shows how you can create, render, and composite a fireball effect right in your hand. Blender is a one-stop-shop for 3D and so much more. A great example of this is this new

How to Wrap Straps With Soft Bodies in C4D

September 29, 2020, 11:06 AM

https://lesterbanks.com/2020/09/how-to-wrap-straps...

Vincent Schwenk shows how you can easily tap straps around anything in C4D. Assisted modeling can be helpful. That is to say; instead of building things like cables, for example, you can generate then and

Behind the Title: The A Team’s VFX supervisor, L

September 29, 2020, 11:05 AM

https://postperspective.com/behind-the-title-the-a...

Name: Luis Martinez Company: Miami-based The A Team  What does The A Team do? The A Team, a creative (co)lab, is a conceptual creative agency that leads with design. We are a collection of innovative thinkers who create, manage and execute campaigns and aim to deliver excellence in both work and process. Continue reading → September 28, 2020 The post Behind the Title: The A Team’s VFX supervisor, Luis Martinez appeared first on postPerspective.

Get your practical FX fix with this enormous colle

September 29, 2020, 11:05 AM

https://beforesandafters.com/2020/09/29/get-your-p...

Looking for a couple of hours of practical effects and models and miniatures interviews? Then don’t miss director, producer and model maker Berton Pierce’s YouTube channel, which has a whole bunch of segments, excerpts and bonus pieces from his Sense of Scale documentary.

Mixer William B. Kaplan Honored with CAS Career A

September 29, 2020, 11:05 AM

https://variety.com/2020/artisans/news/william-kap...

William Kaplan who has over 106 credits to his name will be honored by the Cinema Audio Society with its highest accolade, a Career Achievement Award.

Here's how 'The Drew Barrymore Show' is operating

September 29, 2020, 11:05 AM

https://beforesandafters.com/2020/09/29/heres-how-...

For The Drew Barrymore Show, a set-up established by CBS VFX allows Barrymore to appear on a dynamic set in New York City while her guests appear in real-time from a secure set in Los Angeles. You can see the set-up below, and check out a clip of the show for how the final product looks.

Editors Have Proof of Concept for Flexible Work En

September 29, 2020, 11:05 AM

http://www.avidblogs.com/editors-have-proof-of-con...

The post Editors Have Proof of Concept for Flexible Work Environments. Now What? appeared first on Avid Blogs.

After Effects Classic Course: Additional 3D Featur

September 29, 2020, 11:05 AM

https://www.provideocoalition.com/after-effects-cl...

In addition to stereoscopic “3D” viewing which we discussed in our last post, in that same 2011 release Adobe added a number of traditional 3D features to After Effects, many focused on providing a better sense of depth.  In 3D, it’s easy for everything to be equally sharp and well-lit regardless of distance from the [...]Read More...

Online Meeting Tools: CORE Sync Optimizes WFH Game

September 28, 2020, 11:57 PM

https://www.5thkind.com/online-meeting-tools-core-...

New CORE real-time, frame-accurate, review session and presentation meeting tool enhances remote dailies and post production workflows.

#dailies review#post production workflow#real-time frame accurate

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