It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 25, 2014, 05:50 AM
http://www.3dvf.com/actualite-6696-the-mill-spot-p...
Mise à jour du 25 février 2014 : The Mill a publié un VFX Breakdown du spot, ajouté dans l'article, ainsi qu'un article dédié qui propose des explications supplémentaires.
February 25, 2014, 05:50 AM
https://www.aotg.com/creative-editing-in-fcpx-foreshadowing-with-soun/
How do I use sound to telegraph story or character. In this excerpt from Creative Editing in Final Cut Pro X, editor Abba Shapiro shows us some clever uses o...
February 25, 2014, 05:50 AM
https://www.aotg.com/creative-editing-in-fcpx-cutting-to-music/
How do you you approach cutting a spot with music? How long should your cuts be? How to you choose a duration for your project? These are the questions edito...
February 25, 2014, 05:49 AM
https://www.aotg.com/creative-editng-in-fcpx-shot-selection/
In this excerpt from Creative Editing in Final Cut Pro X, Abba Shapiro demonstrates a time saving tip for making selections on a long take and previewing them.
February 25, 2014, 05:49 AM
https://www.aotg.com/creative-ediing-in-fcpx-the-rookie-mistake/
In this excerpt from Creative Editing in FCP X, editor Abba Shapiro discusses the one area that is not given enough attention during editing for beginning fi...
February 24, 2014, 06:07 PM
http://www.aotg.com/cuttingroom/2014/02/24/christo...
Check out the links for the reviews here: The Hollywood Reporter Review Variety Lambert and Stamp Review The Wrap Review
February 24, 2014, 06:00 PM
http://www.cgwires.com/framestore-gravity-vfx-brea...
FrameStore has been awarded their second Special Visual Effects Bafta, for Alfonso Cuarón’s ground-breaking film Gravity,with Alfonso winning Best Director, Emmanuel ‘Chivo’ Lubezki winning Best Cinematography and Gravity also won the Outstanding British Film, Best Original Music and Best Sound.
February 24, 2014, 05:59 PM
http://blog.devoncroft.com/2014/02/24/avid-to-be-d...
Avid said in a regulatory filing that, as expected, the company has received a notification letter from NASDAQ indicating that the NASDAQ Listing Qualifications Hearings Panel has determined to delist Avid’s shares from The NASDAQ Stock Market.
February 24, 2014, 05:59 PM
http://www.dmwmedia.com/news/2014/02/24/dolby-to-a...
Dolby Laboratories, the San Francisco-based audio technology company, said on Monday it will pay $92.5 million in cash to acquire Burbank-based Doremi Labs, a maker of digital cinema video playback systems. The value of the deal, expected to close by the end of 2014, could rise by as much as $20 million, based on Doremi’s performance over the next four years. “Dolby and Doremi Labs have complementary technology expertise and solutions,” said Kevin Yeaman, the president and CEO of Dolby.
February 24, 2014, 05:59 PM
http://www.fxguide.com/featured/vfx-in-tvcs-ads-th...
In these two impressive spots, one showcasing road safety and the other machine innovations, the visual effects teams from Fin and Method Studios break down their work for fxguide.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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