It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 24, 2014, 11:06 AM
https://www.aotg.com/it-didnt-sound-like-that-in-the-studio/
Audio Post Production can now be completed on a laptop, but what do these mixes sound like when played in a cinema? Have you ever attended a mix in a dubbing theatre then reviewed that mix on your laptop and been disappointed? This session will demonstrate how mixes can be optimised for different playback options. Using before and after examples, we demonstrate the possibilities offered by the creative use of sound and how subtle changes in audio can change your perception of a story.
February 24, 2014, 11:06 AM
http://www.youtube.com/watch?v=MBc88MdDaQA
In this edition of Maya Mondays, Daryl takes a look at Maya's render pass features. For more tips check out Daryls blog posts on the AREA...
February 24, 2014, 11:06 AM
http://www.screeneditors.com.au/2013-awards-accred...
Awards 2013 | Australian Screen Editors
February 24, 2014, 11:06 AM
http://news.creativecow.net/story/874565
(Irvine, California--February 24, 2014) At this year's NAB Show, Sonnet Technologies will highlight the newest innovations in its award-winning Echo™ Express family of PCI Express® (PCIe®) expansion products. The versatile Echo Express systems facilitate mobile and on-location workflows by enabling any Mac® computer equipped with Thunderbolt™ 2 or Thunderbolt ports to interface with a wide variety of high-performance PCIe cards originally designed only for use in desktop computers. Sonnet...
February 24, 2014, 11:05 AM
http://lesterbanks.com/2014/02/animating-type-alph...
It is always interesting to see someone’s workflow if not for new techniques, but to find new combinations of ones that you already know. Looking around the web, you may find there are many ways for animating type in Ae. There is no definitive method for animating type, the best way gives you the best result in the shortest amount of time with the least headache.
February 24, 2014, 11:05 AM
http://www.hollywoodreporter.com/news/dreamworks-a...
LONDON – DreamWorks Animation has partnered with theme park operator Merlin Entertainments to create "Shrek's Far Far Away Adventure," a themed visitor attraction in London based on the Shrek franchise.
February 24, 2014, 11:05 AM
http://jeffvlog.wordpress.com/2014/02/24/a-frozen-...
Inspired by the animated movie “Frozen” released in late 2013, John Dickinson of Motionworks shows how he combined an Artbeats stock footage clip using only the default Adobe After Effects tools, to create a realistic frosty window effect in this tutorial. Also included are the project files to follow along with and make your creative video effect.
February 24, 2014, 11:04 AM
http://lesterbanks.com/2014/02/rotating-wheel-usin...
Offering a look behind some of the math of having a wheel rotate with proper ground contact, CreativMotion’s Cole Wilson shows how to drive (so to speak) the animation with Xpresso.
February 24, 2014, 11:04 AM
http://www.btlnews.com/awards/cinema-audio-society...
The Cinema Audio Society (CAS) celebrated the top sound mixers and technical achievers of 2013 at its 50th annual awards ceremony, Saturday, Feb. 22. The top honor in the motion picture live action category went to Gravity, which also won big at the 61st MPSE Golden Reel Awards for its sound effects and foley editing. Frozen received the award for best sound mixing in an animated motion picture, with CAS president David Fluhr among those accepting the award as one of the film’s re-recordin...
February 24, 2014, 11:04 AM
http://www.philiphodgetts.com/2014/02/another-fcp-...
Evidence suggests that there is another movie setting up to edit with FCP X in the UK
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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