To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

CAS Taps Doug McIntyre to Host 50th Awards

February 17, 2014, 06:55 PM

http://soundandpicture.com/2014/02/cinema-audio-so...

Los Angeles, CA — February 17, 2014 — The Cinema Audio Society announced today that Doug McIntyre has been tapped to serve as host of the upcoming 50th CAS Awards.“I am a huge a fan of McIntyre In The Morning and I enjoy Doug’s sense of humor and perspective,” said CAS President David Fluhr. “I know he will keep our show moving with grace and humor”...

MEWshop Training Series: Clip Connection in FCPX

February 17, 2014, 06:55 PM

https://www.aotg.com/mewshop-training-series-clip-connection-in-fcpx/

Manhattan Edit Workshop's Director of Education Janet Dalton shows how to change clip connections in Final Cut Pro X. mewshop.com

Gravity VFX Supe Claims Misrepresented on Quotes

February 17, 2014, 12:44 PM

http://vfxsoldier.wordpress.com/2014/02/17/gravity...

There was considerable discussion caused by my post on a Guardian article where Gravity’s Oscar Nominated VFX Supervisor Tim Webber was asked to comment on our demonstration for an end to VFX subsidies and why the “British VFX Talent is leading the world”...

Bristol Effect for FCP X

February 17, 2014, 12:43 PM

http://fxfactory.com/info/bristol/

Animatable motion graphics theme. FxFactory is a revolutionary visual effects architecture powering hundreds of plug-ins for Final Cut Pro, Motion, Premiere Pro and After Effects. http://fxfactory.com

Using 32-Bit Color in After Effects for Creative E

February 17, 2014, 12:43 PM

http://www.premiumbeat.com/blog/using-32-bit-color...

Use the 32-bit color setting in After Effects for more than just color grading. We share a trick for getting brighter than white color using 32-bit and experiment with it to create unique effects!

Stabilising video in FCPX

February 17, 2014, 12:43 PM

http://photo.it-enquirer.com/2014/02/stabilising-v...

How do you stabilise footage that’s been shot with a handheld camera or a badly performing stabilising system? With the Stabilisation module of Final Cut Pro X? Except for a heavy tripod, you will never be able to lock out unwanted camera movement, common knowledge predicts. But I found you can do better than with the built-in stabilisers of most NLEs. There’s a plug-in that does a great job at stabilising in post-production.


Framestore takes home VFX BAFTA for work on Gra

February 17, 2014, 09:46 AM

http://postperspective.com/framestore-takes-home-v...

London — Framestore has been awarded its second Special Visual Effects BAFTA, for its work Alfonso Cuarón’s Gravity. The film was celebrated with numerous awards, including one for Cuaron for Best Director, and Emmanuel Lubezki who won Best Cinematography. Gravity also won Outstanding British Film, Best Original Music and Best Sound. “It has been a great year for film […]The post 
Framestore takes home VFX BAFTA for work on Gravity appeared first on postPerspective - Randi Alt...

Show and Tell Review Of Rob Papen RP Amod

February 17, 2014, 09:45 AM

https://www.aotg.com/show-and-tell-review-of-rob-papen-rp-amod/

Russ takes a look and listen to the Rob Papen RP Amod, a plug-in featuring modulation based effects that is FREE to existing Rob Papen customers.

Final Cut Pro X Media Management

February 17, 2014, 09:45 AM

https://www.aotg.com/final-cut-pro-x-media-management/

Learn how to consolidate files in the new update to Final Cut Pro X.

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