It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 10, 2014, 09:50 AM
http://www.pauljoy.com/2014/02/green-screen-in-fcp...
I thought I’d share this project I worked on recently as going in to it I planned to do the animation parts in motion but I decided to try doing the whole thing directly in FCPX. I was pleasantly surprised how easily FCPX handled the key framing and the green screen key, I did make a few tweaks along the way but in general the keyer in FCPX is really good.
February 10, 2014, 09:50 AM
http://www.hollywoodreporter.com/live-feed/ken-bur...
Ken Burns -- the PBS documentarian who has produced exhaustive video histories of everything from baseball, to the Civil War to the relationship between Franklin and Eleanor Roosevelt -- now has something in common with Britney Spears, T-Pain, and Snoop Lion.
February 10, 2014, 09:50 AM
http://www.definitionmagazine.com/journal/2014/2/8...
In the first of a series of articles looking at 4k technology we look at the acquisition and perhaps more importantly at the workflow of higher resolution cameras for movies and TV.
February 10, 2014, 09:49 AM
http://www.fcp.co/final-cut-pro/articles/1343-the-...
Ever wondered what goes in to making sure that all the VFX shots in a movie have been completed, checked and approved by the Director? Misha Tenenbaum gives us an inside look at the job of a VFX editor.
February 10, 2014, 05:44 AM
http://www.stevenbenedict.ie/2014/02/gravity/
When The Bourne Ultimatum won the Oscar for Best Editing in 2007, it became the film was the most rapid cutting ever to receive the award in the history of the Academy (its average shot length was 2.1 seconds). By contrast, the winner of the Palme d’Or at Cannes that same year, 4 Months, 3 Weeks and 2 Days had an average shot length of 90 seconds. The first film is an intense and relentlessly paced action picture while the second is an intense and carefully paced drama, which might suggest tha...
February 10, 2014, 05:44 AM
http://lfhd.net/2014/02/09/gopro-hero-workflow-for...
GoPro Hero cameras are everywhere lately. It seems like there isn’t a production I am working on that doesn’t utilize this camera in some way. They are mounted in cars to either see the driver and passengers, or aimed at the road. They are mounted on back hoes as they dig, mounted on drills as [...]
February 10, 2014, 05:42 AM
http://logic-pro-expert.com/logic-pro-blog/2014/02...
In "Mixing Resolutions - Part Two", Eli Krantzberg incorporates new mixing ideas and habits, so that they will become embedded into his mixing workflows.
February 10, 2014, 05:42 AM
http://digitalcinemacafe.com/2014/02/10/fcg019-i-c...
Spacial Conform, Multicam and Editorial Peer Pressure, just part of what we discuss with Kes Akalaonu, the NLE Ninja. Kes is a Chicago based, editor, podcaster and YouTube tutorial ninja and always has unique, fresh insight on the editorial world. Recently I caught wind that he was embracing the X and thought it was time to have in on “The Grill”.
February 10, 2014, 05:42 AM
http://editorunderconstruction.blogspot.com/2014/0...
Encode videos with Mountain Lion Finder
February 10, 2014, 05:41 AM
http://www.motionelements.com/blog/press_release/m...
MotionElements.com, royalty-free online marketplace for stock video content, will be exhibiting at the 2014 NAB Show on April 7-10 in the Las Vegas Convention Centre. It’s presence at the show serves as an opportunity to meet NAB show attendees and showcase its library of Asia-inspired content. Singapore – Monday, 10 February 2014 MotionElements (www.motionelements.com), the [...]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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