It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 8, 2014, 02:54 PM
http://postperspective.com/cinedeck-supporting-4k-...
New York – Cinedeck, which makes capture systems for digital cinema, broadcast and post, is offering new product and software releases supporting 4K production and HD delivery standards that are being adopted by major broadcasters. With the new Cinedeck MX4K recorder and V.5 software release for its RX3G and MX recorders, Cinedeck reinforces its capability […]The post Cinedeck supporting 4K with hardware, software offerings, adds HD delivery standards appeared first on postPerspective - ...
February 8, 2014, 02:54 PM
http://www.cceditors.ca/64th-annual-ace-awards-win...
Best Edited Feature Film (Dramatic) winner Christopher Rouse, A.C.E., and actor Leonardo DiCaprio pose backstage at the 64th Annual American Cinema Editors Awards Paramount Studios on February 7, 2014 in Hollywood. For a complete list of nominees and winners please see the link below: http://www.deadline.com/2014/02/eddie-award-winners-2014-american-cinema-editors-awards/ Submissions are now open for the Canadian Cinema EditorsAwards which will be
February 8, 2014, 02:54 PM
http://editorunderconstruction.blogspot.com/2014/0...
Just a handful of interesting posts about the workflow Alexa > FCP7For checking data storage: http://katabatic.tv/workflows/alexa/ http://www.lynda.com/SpeedGrade-tutorials/Understanding-LOG-flat-footage-LUTs/137897/145364-4.htmlhttp://blog.localheropost.com/main/2010/10/30/dailies-from-alexa-logc-prores.htmlhttp://www.clarkmedia.com/hd/arriflex/arriworkflowhttp://www.arridigital.com/forum/index.php?topic=6947.0http://forums.creativecow.net/thread/294/839
February 8, 2014, 02:54 PM
http://lesterbanks.com/2014/02/synchronize-audio-a...
Felt Tips posts another great tutorial diving into After Effects expressions with this look at creating a great workflow tool for working with and synchronizing audio. The final expression will allow you to tap out the timing of the audio using the keyboard, adding markers that will be used for the synchronization.
February 8, 2014, 02:53 PM
http://www.goldderby.com/news/5624/how-often-do-ac...
Not surprisingly, the American Cinema Editors are pretty good at predicting what film will win Best Editing at the Oscars. But they also have a respectable track record at previewing the Best Picture winner. (Read the full report on Friday night's ACE Awards here.)
February 8, 2014, 02:53 PM
http://lesterbanks.com/2014/02/mari-tools-architec...
Digital Artist Nicholas Breslow shares his suite of tools for Mari that offer useful new physical shaders, normal map blending, and procedurals...
February 8, 2014, 02:53 PM
http://www.ropeofsilicon.com/cinema-editors-award-...
In a mildly interesting turn of events, if below-the-line categories at the Oscars are your thing, occurred last night as Captain Phillips was named the Best Edited Feature Drama by the American Cinema Editors (ACE) at the 2014 Eddie Awards while American Hustle won in the comedy category.
February 8, 2014, 02:53 PM
http://animationguildblog.blogspot.ca/2014/02/this...
The Animation Guild's President Emeritus Tom Sito has been good enough to dig through his massive archive of significant February dates in animation (and entertainment generally), and present them to members. We give you a preview here:
February 8, 2014, 02:52 PM
http://blogs.indiewire.com/thompsononhollywood/edi...
At the 64th annual American Cinema Editors Awards for outstanding editing on Friday night, four Oscar contenders took home the coveted Eddie, which often presages Oscar wins. The editors handed out trophies in ten categories of film, television and documentaries.
February 8, 2014, 08:23 AM
http://logic-pro-expert.com/logic-pro-blog/2014/02...
In the first part of his new “Mixing Resolutions” series, Logic Pro Expert team member and Groove3 music software trainer Eli Krantzberg reflects on the catch-22 situation he often finds himself in: How can I improve my mixing techniques by trying new ideas, without having the time to try these new ideas?
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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