It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 31, 2014, 01:37 PM
http://news.creativecow.net/story/874331
(Placentia, California--January 31, 2014) Today CalDigit, the company of choice for the content creation industry, announces a new promotion on the CalDigit Thunderbolt™ Station. Customers who Like CalDigit on Facebook between January 31st 2014 - February 7th 2014 will receive a $10/£10/€10 discount on the CalDigit Thunderbolt™ Station through the CalDigit Online Store.
January 31, 2014, 01:37 PM
http://www.creativeplanetnetwork.com/the_wire/2014...
Newbury Park, CA – January 31, 2014 – MAXON, the leading developer of professional 3D modeling, painting, animation and rendering solutions, announced that a group of Savannah College of Art and Design® (SCAD) students, relied on CINEMA 4D, its industry-leading motion graphics software, to help develop and design the animated opening concepts for the FOX Sports Super Bowl XLVIII game-day broadcast on February 2, 2014.
January 31, 2014, 01:37 PM
http://www.broadcastbeat.com/index.php/nab-started...
Well, here we are – approaching the 2014 NAB Show! Once again, I will be present, representing both Creative COW and Broadcast Beat Magazine, as I glide through the Show Floor, seeing what I can see of all the newest products and innovations in the studio (broadcast and post-production) industry.
January 31, 2014, 11:00 AM
http://www.theawsc.com/2014/01/31/a-brief-history-...
One of the most powerful tools filmmakers have to provoke emotion is sound. Any Sound Engineer will tell you that, and there’s a fair bit of evidence to back it up too. It follows then that great film needs great sound to truly engross and move us.
January 31, 2014, 11:00 AM
http://tv.adobe.com/watch/adobe-at-sundance-/impro...
Dig (Sundance 2014) is the first film Robert Grigsby Wilson edited on Adobe Premiere Pro. Learn how the NLE improved his creative and post production workflows.
January 31, 2014, 11:00 AM
http://www.askaudiomag.com/articles/8-more-essenti...
In the second part of this mini series, audio and production pro, Hollin Jones, shares the second part of his tried and tested tips every producer needs to know when mixing.
January 31, 2014, 10:59 AM
http://www.btlnews.com/crafts/post-production/hovi...
Production and post house Optimus announced that Santa Monica-based editor Hovig Menakian cut the Microsoft spot, “Celebrating the Women of 2013.” Airing nationally now, the spot features the bravery and courage of women around the globe who spoke out, broke barriers, overcame tragedy and encouraged change in 2013.
January 31, 2014, 10:59 AM
http://www.btlnews.com/crafts/post-production/cosp...
Cospective’s video review software, cineSync, played a key role in the VFX pipeline for Alfonso Cuarón’s Gravity. The film received ten Oscar nominations, including one for Best Visual Effects. Framestore, principal VFX vendor on Gravity, tasked Australia’s Rising Sun Pictures with completing the reentry sequence. From their facility in Adelaide, Rising Sun was able to integrate seamlessly with Framestore via cineSync. With cineSync as a remote collaboration tool, distributed postprod...
January 31, 2014, 10:59 AM
http://postperspective.com/lightcraft-solidanim-pa...
Venice, California — Lightcraft Technology, here, and Paris-based SolidAnim, developers of on-set virtual tracking equipment and visualization software, are combining their Previzion and SolidTrack product offerings in order to provide a full range of virtual production tools for the entertainment industry. Both companies have entered into a mutual distribution agreement to sell each other’s products […]The post Lightcraft, SolidAnim partner to supply optical, markerless tracking for R...
January 31, 2014, 10:58 AM
https://www.aotg.com/welcome-to-legacy-effects-special-effects-reel/
Subscribe to Legacy Effects on YouTube: http://bit.ly/15mkX9A A whirlwind look at Legacy's creatures, robots, animals, monsters, and suits. Ever wonder what ...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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