To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
New codec, workflow options via Red, Nvidia and Ad
December 18, 2018, 07:12 AM
https://postperspective.com/new-codec-workflow-opt...
By Mike McCarthy There were two announcements last week that will impact post production workflows. The first was the launch of Red’s new SDK, which leverages Nvidia’s GPU-accelerated CUDA framework to deliver realtime playback of 8K Red footage. I’ll get to the other instance shortly. Nvidia was demonstrating an early version of this technology at Adobe Max in October, Continue reading → December 17, 2018 The post New codec, workflow options via Red, Nvidia and Adobe appeared fir...
Oscar-winning editor, Chris Dickens, ACE
December 18, 2018, 07:11 AM
https://www.provideocoalition.com/aotc-dickens
Chris Dickens, ACE, won the Oscar and an ACE Eddie for Best Editing for Slumdog Millionaire. He was also nominated for an ACE Eddie for Best Editing for Les Miserables. Other work includes Shaun of the Dead, Hot Fuzz, MacBeth, The Man with the Iron Heart, and Steel Country.
Adobe Gpanel & PDFviewer 50% Off Holiday SaleTitle
December 17, 2018, 02:22 PM
https://www.aotg.com/adobe-gpanel-pdfviewer-50-off-holiday-saletitle/
Gpanel & PDFviewer for Adobe Premiere Pro & After Effects is now 50% off for the 2018 Holiday season. Simplify you workflow and go green! Gpanel will be one of the best utilities in your creative arsenal. You can open and edit any Google Doc or Google Sheet. The best part of Gpanel is that you can edit the documents live right within the panel. Great for Scripts, Script Notes, Storyboards, Transcriptions and To-Do lists. Go to www.primalcuts.com to learn more
When things start to fall apart at work
December 17, 2018, 12:47 PM
http://renderplease.tumblr.com/post/181200973220
POST MEET: How Editors Do It Right
December 17, 2018, 12:47 PM
https://www.youtube.com/watch?v=mYoNk7rEGuc
Rebroadcast of our monthly LIVE Post Meet which you can join to ask your questions, Sven, an A.C.E. Award nominee, cut for James Cameron, Joseph Gordon-Levitt, and James Franco.
Nodes 3 Review
December 17, 2018, 12:47 PM
https://nleninja.wordpress.com/2018/12/17/nodes-3-...
It’s been four years since Nodes 2 became available and in that time it has become an invaluable tool for many motion graphic artists across the world. This intricate plugin gives user the ability to create complex motion graphics in very little regardless if you are beginner or expert motion graphic artist. You may have... Read More in Nodes 3 Review
Motion Array Goes Unlimited
December 17, 2018, 11:45 AM
https://www.premierebro.com/blog/motion-array-goes...
Get All Your Premiere Pro Assets (And Lots More!) From The Most Affordable Stock Media Site On The Web. Stock media marketplace, Motion Array, has announced that they will be transitioning to an unlimited subscription model, giving users access to its full range of products and services for just $16 per month!
#editing#adobe#premiere pro#premiere#motion arrayREVENGE: Blunt, Bloody, Pure Cinema (Re-Upload in
December 16, 2018, 08:58 AM
https://www.aotg.com/revenge-blunt-bloody-pure-cinema-re-upload-in/
Revenge is a 2017 French action horror film directed and written by Coralie Fargeat.
Building the Alternative Creative Toolkit
December 16, 2018, 08:58 AM
https://digitalfilms.wordpress.com/2018/12/15/buil...
In the past, software was bought in a shrink-wrapped package with a single license to run the application on one computer. But trends change, with options today ranging from a one-time purchase, or a purchase plus a subscription for updates, all the way over to a total subscription model. While Adobe is the company most […]
3 Top Promo Templates from AE
December 15, 2018, 09:43 AM
https://photography.tutsplus.com/tutorials/3-top-p...
Promos are marketing tools used to showcase products, services, and content. This feature presents three eye-catching promo video templates for Adobe After Effects. We'll look at three popular categories: portfolios, websites, and channels. Each one offers great opportunities to elevate your After Effects projects to the next level.
Newest from AOTG.com
-
Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
-
Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
-
Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
Site Links
Tools
Sister Sites
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.