To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Cinema 4D and Vray

January 20, 2014, 05:27 PM

http://lesterbanks.com/2014/01/cinema-4d-creating-...

Returning to expel the benefits of rendering with VRay in Cinema 4D, Josef Bsharah shows how to create an effect using the V-Ray Edges Shader and a rendering override to create the wireframe on clay look in his scene.

Editors’ Lounge Kicks Off 2014 With Demo

January 20, 2014, 05:27 PM

http://news.creativecow.net/story/874202

(Burbank, California--January 20, 2014) The Editors’ Lounge kicks off 2014 with a double presentation from Avid and Filmlight, as well as first-time presenter Pond5. A trusted source for the latest in new technology for the post-production professional, the Editors’ Lounge gives the opportunity to learn new skills hands-on while networking with other industry peers. The event will be held on Friday, January 31st at AlphaDogs Post Production 1612 W. Olive Ave, Suite 200, Burbank, CA 91506 beg...

Technicolor – Names Clark Henderson to Lead

January 20, 2014, 05:26 PM

http://news.creativecow.net/story/874118

(New York, United States--January 19, 2014) Technicolor-PostWorks, New York, has appointed veteran post production executive Clark Henderson as Senior Vice President, Theatrical Services. Henderson, who will report to COO Rob DeMartin, will act as liaison to the facility’s studio and independent producer clients and oversee post production operations for theatrical motion pictures.

Hulu Outfits team for Louder than Words

January 20, 2014, 05:26 PM

http://news.creativecow.net/story/874121

(Hollywood, California--January 18, 2014) Hula Post Production provided editorial systems, facilities and support to editor Melissa Kent and her crew during the production of "Louder Than Words," the new dramatic feature from Identity Films. Hula set up and maintained a remote editorial facility in Connecticut, where the film spent five weeks shooting, and later provided editorial facilities at its Tribeca West location in West Los Angeles.

Sound Devices gets two Cinema Audio Society nods f

January 20, 2014, 01:30 PM

http://postperspective.com/2014/01/sound-devices-g...

Reedsburg, Wisconsin — Sound Devices’s Pix 260i production recorder and 633 production mixer have been nominated for a Cinema Audio Society (CAS) Technical Achievement Award in the production category. The Cinema Audio Society was formed in 1964 to advance the art and science of sound in the motion picture and television industry. A blue-ribbon panel […]

Kollaborate Server 1.0.5 released - installer impr

January 20, 2014, 01:30 PM

http://www.digitalrebellion.com/blog/posts/kollabo...

We’ve just released Kollaborate Server 1.0.5, a minor update to our in-house cloud workflow platform.Improved installerWe’ve made various improvements to the installer based on user feedback, including more checks for dependencies and configuration problems, along with bug fixes and other improvements.The installer will now allow you to resume where you left off if you need to restart your computer as well as detecting existing installations.Additionally, licenses can now be installed a...

Setting Up A 3D Animation Studio

January 20, 2014, 01:29 PM

http://www.techsling.com/2014/01/setting-up-a-3d-a...

Setting up a studio for 3D animation is a way to go if you possess outstanding creativity and talent in 3D media solutions development, appealing visual animations, and most importantly all kinds of computer graphics. In your animation studio, you can generate revenues through certain ways such as mobile and PC applications and gaming, Architectural projects, web designs, online advertisement, TV commercials etc. If you have found yourself a road to success then there are chances for you to get ...

[Frame of Reference] with Editor Tyler Cook

January 20, 2014, 10:59 AM

http://twainthestoryteller.com/2014/01/20/frame-of...

Tyler Cook began work as an Assistant Editor on Independent Features before transitioning to scripted television in 2009. After three years as an Assistant, Tyler was promoted and began editing full-time on the hit CW show The Vampire Diaries. Last March, he cut the pilot episode of The Originals (a spin-off of The Vampire Diaries), […]

13-Minute Clip of Scorsese and Schoonmaker

January 20, 2014, 10:59 AM

https://www.aotg.com/13-minute-clip-of-scorsese-and-schoonmaker/

Martin Scorsese and Thelma Schoonmaker in the editing room working on "Life Lessons", Scorsese's "New York Stories" segment. DANGEROUS MINDS: "MARTIN SCORSES...

The History of Cutting

January 20, 2014, 10:59 AM

https://www.aotg.com/the-history-of-cutting/

Cinema began as a novelty – projecting dancing shadows on a screen of simple every day scenes. But through the contributions of talented artists, a new cinematic language of editing emerged. Trace the development of editing from The Lumiere Brothers through Georges Méliès, Edwin S. Porter, and D.W Griffith.

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