It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 14, 2014, 07:09 PM
http://www.awn.com/news/clockwork-vfx-helps-toys-r...
Post-apocalyptic mega-race Monster 500 is on, and animation/visual effects studio Clockwork VFX is the creative winner. The studio -- led by Creative Director/Co-Founder Jason Tomlins and Executive Producer Nina Davenport -- teamed with agency Rotter Creative Group, New York, and Toys"R"Us to launch the new Monster 500 brand. The result is an engaging minute-long spot consisting entirely of beautifully detailed 3D animation that introduces kids to six of the ten vehicle characters in the Monster...
January 14, 2014, 07:09 PM
http://www.deadline.com/2014/01/gravity-leads-with...
Los Angeles (January 14, 2014) – Today, the Visual Effects Society (VES), the industry’s professional honorary society, announced the nominees for the 12th Annual VES Awards, the prestigious yearly celebration that recognizes outstanding...
January 14, 2014, 02:51 PM
http://cinefex.com/blog/the-trouble-with-movie-sta...
To clarify, I’m not talking about those charming actor-types known affectionately as the talent. I’m talking about actual stars. You know, those sparkling points of light that form the perfect backdrop for a swooping spaceship, or twinkle delicately over a farm at night, shortly before a gigantic killer robot squashes the barn.
January 14, 2014, 02:50 PM
http://www.larryjordan.biz/new-mac-pro-adobe-media...
A comparison of Adobe Media Encoder and Apple Compressor running on a new Mac Pro.
January 14, 2014, 02:50 PM
http://www.youtube.com/watch?v=v3E7txGHI1E
Following on from Russ's show and tell review of the new Waves Scheps 73 EQ, Mike takes a look at the other plug-in Waves have just released the WLM Plus. This...
January 14, 2014, 02:50 PM
http://uniquedesigners.wordpress.com/2014/01/14/ed...
So if you use like Magic Bullet Looks or any other “heavy & slow” plugins and want to reduce Export-times in Premiere Pro you should set your Sequence to ProResLT or any other good Master codec and work / edit with that Setting. If you use like MagicBulletLooks and such you had to render while […]
January 14, 2014, 02:50 PM
http://www.studiodaily.com/2014/01/ves-cinema-audi...
Gravity topped the 12th Annual Visual Effects Society (VES) Awards nominations, while the Cinema Audio Society (CAS) cited a broad range of achievements in sound mixing for motion pictures and television, as the last round of industry nominations before the … more »
January 14, 2014, 02:49 PM
http://www.premiumbeat.com/blog/what-editors-can-l...
Successful filmmakers share their best tips and we apply this knowledge to video editing. Great tips for success!
January 14, 2014, 02:49 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — Efilm and Company 3 (www.company3.com) have partnered to create a near-set dailies grading theater that can be stationed nearby any shoot, allowing filmmakers to work as though they have a well-equipped post house on site.
January 14, 2014, 02:49 PM
http://www.avidblogs.com/avid-customer-association...
The post Avid Connect, Bringing Together Industry Experts From Across the World appeared first on Avid Blogs.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.