To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Pro Tools Users - Read This Before Updating To Pro
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https://digitalfilms.wordpress.com/2020/09/03/does...
Apple told us at WWDC that more Intel Macs were on the way. The latest iMac refresh is the first fulfillment of that promise. In the Mac desktop line-up, iMac covers a span from two to ten CPU cores and up to 128GB of RAM. iMac Pro covers 10 to 18 cores and up to […]
What’s New in Pro Tools 2020
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http://www.avidblogs.com/whats-new-pro-tools-2020/
The post What’s New in Pro Tools 2020 appeared first on Avid Blogs.
PVC Podcast Eps 22: Remote Editing In The Time Of
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https://www.provideocoalition.com/pvc-podcast-eps-...
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Tenet Production Sound Mixer How to Build a Lastin
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“If I ended my career today, I would be very happy for what has happened to me over the years. I work as hard now as I did 20 years ago."
An Op Ed by Alexandre Donot, Editor
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Sound Design for Film
September 4, 2020, 12:20 AM
https://www.filmcrux.com/blog/film-sound-design
Sound design is like color grading for your ears. If you’re a filmmaker and you’re trying to take your work to the next level, there are few skills more important to master than sound design. So whether you’re just starting out with sound design, you want to add some new tips and tricks to your utility belt, or you just want some killer sound design inspiration, we’ve got you covered. Bookmark this page to have everything you need for amazing sound design all in one place.
#post production#filmmaking#sound design#sfxLast Call Uses DaVinci Resolve Studio
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https://www.aotg.com/last-call-uses-davinci-resolve-studio/
Blackmagic Design announced today that the feature film “Last Call,” which was shot in two simultaneous 80 minute takes, was colored in DaVinci Resolve Studio by Colorist and Cinematographer Seth Wessel-Estes, who also used the DaVinci Resolve Micro Panel in his workflow.
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MographPlus shows fundamental approaches for creating realistic plastic, wood, and metal in Arnold. A new tutorial shows off a fundamentals style workflow for creating realistic materials in Arnold under Cinema 4D. Mograph+ and Kamel Khezri show how
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