To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Mexico’s Color Space Expands with FilmLight

December 12, 2013, 11:01 AM

http://www.btlnews.com/crafts/post-production/mexi...

Mexican commercial finishing house Color Space has opened its third color suite, built around a further Baselight ONE grading system and a Slate control panel from FilmLight. Color Space installed the first of its Baselight grading system when it opened its doors in 2010, together with a Northlight film scanner. In 2012, the company installed its second system for its digital intermediate and finishing services.

ZERO VFX Appoints Sarah Spitz as Executive Produce

December 12, 2013, 11:01 AM

http://www.btlnews.com/crafts/visual-fx/zero-vfx-a...

ZERO VFX announced it has appointed Sarah Spitz as executive producer. In her new role, Spitz will be charged with expanding ZERO’s global commercial business, as well as with overseeing content production for ZERO’s existing client base. Sarah will work directly with ZERO’s founding executive/creative team, Brian Drewes and Sean Devereaux.

Contender – Editor Christopher Rouse, Captain Ph

December 12, 2013, 11:01 AM

http://www.btlnews.com/awards/contender-portfolios...

Editor Christopher Rouse always tries to have the story in mind, then let the performances speak and make his editing decisions accordingly. The most challenging task cutting Captain Phillips was wrestling with one of the inherent aspects of the story – how to keep the title character front and center and as active as possible while he was being held hostage. “With someone like Tom Hanks, who is so supremely masterful, so attuned to story, so deeply immersed in his character, I had many ...

AJA Ki Pro and Ki Pro Rack Bolster Kit Offerings a

December 12, 2013, 11:00 AM

https://www.videoguys.com/Blog/E/AJA+Ki+Pro+and+Ki...

In 2007, Phil Wade teamed up with Leslie Zunz to launch Fat Dog Solutions, a company specializing in studio design and engineering services, as well as equipment rentals. Over the last six years, the UK-based boutique has established a diverse client base ranging from corporate customers like ICANN, PwC and Johnson & Johnson to broadcast clients like Channel 5. As the business has evolved, AJA’s Ki Pro and Ki Pro Rack digital video recorders have played a key role in the company’s succes...

In the Socks of FCPX -The interactive PDF gets up

December 12, 2013, 11:00 AM

http://www.fcp.co/final-cut-pro/tutorials/1297-in-...

Martin Gosset has emailed us to say that his interactive PDF about FCPX (written in French) has been updated. Many more pages, tips, a reference and of course that new name.

Promise Thunderbolt 2 Pegasus RAIDS released with

December 12, 2013, 11:00 AM

http://www.fcp.co/hardware-and-software/pro/1296-p...

So when you purchase your new Mac Pro and install Final Cut Pro X 10.1, you are going to want some fast Thunderbolt 2 storage to go with it. The new Promise Pegasus 2 RAIDS are available now. A diskless model and the answer to who bought the RED Mac Pro too.

Creating a Fluid Wave Motion - Cinema4D

December 12, 2013, 11:00 AM

http://lesterbanks.com/2013/12/cinema-4d-creating-...

It was back in March some time that Uwe Schweer-Lambers (Equiloud) shows how to create an appearing animated ribbon using the Mograph Module Cinema 4D, and here, animator Mac Lanphere adds to the technique, adding a fluid-like wave motion into the ribbon effect, bringing them to life after they have been drawn-on created.

Creating Reflective Metal (AE)

December 12, 2013, 10:59 AM

http://lesterbanks.com/2013/12/after-effects-creat...

Focusing on creating and using viable displacements maps in After Effects to be used with any one of Mettle’s plugins, Tudor “Ted” Jelescu shows how to create some science fiction inspired metal doors.

SanDisk Optimus Eco 400GB SAS SSD Review

December 12, 2013, 10:59 AM

http://www.storagereview.com/sandisk_optimus_eco_4...

The Optimus Eco uses SanDisk’s Guardian Technology Platform to improve the performance characteristics for 19nm multi-level cell (MLC) flash in order to suit read-intensive application workloads in capacities of 400GB, 800GB, 1.6TB, and 2TB.

Dolby y Cinesa presentan el cine del futuro en La

December 12, 2013, 10:59 AM

http://www.panoramaaudiovisual.com/2013/12/12/dolb...

Dolby Laboratories y los cines Cinesa han anunciado hoy una colaboración que permitirá ofrecer al público el cine de nueva generación en Cinesa La Maquinista de Barcelona.

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