To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

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https://www.provideocoalition.com/behind-the-scene...

The 2020 Democratic National Convention sailed into uncharted territory, as the first experience of a virtual convention, which was a ground breaking, historic event, paving the way for others.

PERRY MASON: VFX Breakdown

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https://www.artofvfx.com/perry-mason-vfx-breakdown...

Digital Domain shows us how they recreated the Los Angeles of the 30’s for the HBO series, PERRY MASON...

Reliable Sound in the Most Unpredictable Situation

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https://www.aotg.com/reliable-sound-in-the-most-unpredictable-situation/

When it comes to erratic documentaries and uncontrollable environments, Production Sound Mixer Ben Nimkin turns to DPA Microphones to deliver clear, consistent audio for a variety of programs. Included among these are Fyre Fraud; Rest in Power: The Trayvon Martin Story; States of Undress; Gaycation and more. With a specialty for investigative documentaries, Nimkin is no stranger to capturing highly emotional conversations and working in extreme environments—all while taking DPA along.

#dpa microphones#lavalier#sound mixer
NAB Show launches a new digital platform, NAB Ampl

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https://www.provideocoalition.com/nab-show-launche...

NAB Show in Las Vegas is currently planned for April 10 – 14, 2021, but Covid-19 has changed many strategies, and so a new year-round digital platform, NAB Amplify, is launched in November 2020.

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https://www.provideocoalition.com/is-aces-right-fo...

In the film days, a cinematographer had a good handle on what the final printed image would look like. The film stocks, development methods, and printing processes were regimented with specific guidelines and limited variations. In color television production, up through the early adoption of HD, video cameras likewise adhered to the standards of Rec. 601 (SD) and Rec. 709 (HD). The advent of the video colorist allowed for more creative looks derived in post. Nevertheless, video directors of pho...

Go inside the LEDcave with 'STRANDED'

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https://beforesandafters.com/2020/08/24/go-inside-...

It feels like things are moving rapidly with virtual production. Inspired by the success of The Mandalorian (both from an audience point of view and in terms of its use of LED walls and real-time rendering techniques), several filmmakers and studios have been experimenting with the technology in a big way.

ASSISTANT EDITOR ROUND TABLE – ZOOM

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https://www.screeneditors.com.au/assistant-editor-...

An open forum and free-flowing conversation about interesting workflows, chin-scratching conundrums, and the hair-pulling, scream-inducing challenges that Assistant Editors face every day. Using real world examples, we’ll talk through a number of problems and the solutions that were used to deal with them. Sharing of hilarious stories, well-earned scars and embarrassing mishaps will also be […]

Check Out Cavalry’s Line Primitive and How to Us

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https://lesterbanks.com/2020/08/check-out-cavalrys...

Ian Waters looks into the Line Primitive and its features in Cavalry. It’s truly amazing to see how a procedural workflow can create 2D motion graphics as a playground of possibilities. Now that Cavalry, The

An Easy Way to Create Cushion Tufting With Blender

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https://lesterbanks.com/2020/08/an-easy-way-to-cre...

Pixxo 3D shows how you can create cushion tufting with some simple Blender modeling techniques. If you’ve ever wondered how to make those puffy sections of a cushion in 3D, well, there are many ways to facilitate that type

Adobe Premiere Rush gets one-click Auto Reframe

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https://www.provideocoalition.com/adobe-premiere-r...

Designed specifically for online video creators,  Adobe Premiere Rush adapts to the times and now offers the possibility to automatically reframe clips with the click of a button. First revealed in June 2018, Premiere Rush has been the target of continued development, with Adobe working with a small group of beta testers to refine the [...]Read More...

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