It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 3, 2013, 08:10 PM
http://feeds.redgiantsoftware.com/~r/redroomblog/~...
Development continues with Mir, the latest addition to the Trapcode Suite. Owners of Trapcode Mir 1.0/Trapcode Suite 12 may download and test the new special Public Beta of Mir v2.0 available now hosted at Trapcode.com. Please visit Trapcode.com (http://www.trapcode.com/mir-beta-download/) for steps on downloading the plugin. Mir is useful for generating flowing organic elements, abstract landscapes and [...]
December 3, 2013, 08:09 PM
http://cinefex.com/blog/shapeshifters/
Transformation scenes have always pulled in the crowds. Victorian theatres were packed with hidden stage machinery designed to turn pumpkins into princesses, or make entire castles materialise under the gaze of the astonished audience.
December 3, 2013, 08:09 PM
http://moviesincolor.com/post/68934661260/hello-ev...
Hello everyone! Movies In Color now has its own place in the Facebook universe. For all updates on the website, palettes, and for fun announcements...
December 3, 2013, 08:09 PM
http://www.broadcastbeat.com/index.php/ryan-salaza...
Ryan Salazar speaks with Vince Pace, James Cameron s business partner, regarding Cameron Pace Group and their business model. This interesting podcast also discusses James Cameron, Cameron Pace Group s technologies and their projects.
December 3, 2013, 08:09 PM
http://lesterbanks.com/2013/12/after-effects-using...
The Scripting language After Effects uses is actually JavaScript. Noting that there are plenty of 3rd party JavaScript Graphics and animation Libraries out there, Calvin Swaim posts a little tutorial (2 minute tut) showing how you can use relevant JavaScript Libraries in After Effects scripting.
December 3, 2013, 08:08 PM
http://www.pro-tools-expert.com/home-page/2013/12/...
We asked mastering engineer and all around nice guy Neil Pickles to give us his top 5 EQ plug-ins choices for getting the job done.
December 3, 2013, 01:56 PM
http://postperspective.com/2013/12/milk-to-create-...
LONDON — Milk Visual Effects (www.milk-vfx.com), which created VFX for the BBC’s Doctor Who 50th Anniversary special episode: Day of the Doctor, has been commissioned by the BBC to create the visual effects for the eighth series of Doctor Who, starring new doctor Peter Capaldi. The new series will be broadcast in 2014. Milk is […]
December 3, 2013, 01:56 PM
http://www.studiodaily.com/2013/12/quick-pick-fxfa...
The shooter-craftsman is the master of his or her domain. Since the impact of TV, cinema, web, and other programming is built primarily on the strength of the visual content, the ability of a shooter to serve up one compelling … more »
December 3, 2013, 01:56 PM
http://www.askaudiomag.com/articles/review-sonnox-...
Modern musicians know multitude of audio formats and codecs available. But how do you get best sounding results when converting audio? Sonnox have a solution who didn't know you even needed!
December 3, 2013, 01:56 PM
http://lesterbanks.com/2013/12/cinema-4d-managing-...
MoGraph Candy’s Dan Conrad shows a bit of a weird conundrum that arises when you use the Stick Texture Tag used along side Deformers in Cinema 4D.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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