It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 19, 2013, 01:16 PM
http://news.doddleme.com/blogs/post-production/fin...
The range tool in Final Cut Pro X is a powerful, and useful feature that allows editors to select a clip or number of clips, or even a range within a clip or group of clips. Steve Martin and Mark Spencer of Ripple Training show us just how versatile the range tool can be.
November 19, 2013, 01:16 PM
http://lesterbanks.com/2013/11/cinema-4d-practical...
Using one of the oldest expressions in the book, Jamie Hamel-Smith discusses using target objects in Cinema 4d, and shows a practical example by rigging a piston actuator with simple constraints.
November 19, 2013, 01:16 PM
http://www.animationmagazine.net/people/marathon-m...
Vincent Chalvon-Demersay has stepped down as CEO of French animation studio Marathon Media for personal reasons. A familiar figure in the global animation scene, Chalvon-Demersay joined the studio in 1999 as managing director.
November 19, 2013, 10:56 AM
http://roosterpost.wordpress.com/2013/11/19/rooste...
2013 BESSIE AWARDS “IT’S GOOD TO BE GOLDEN” This year was the 50th anniversary of the Television Bureau of Canada’s annual awards show – The Bessies and the theme; “It’s Good To Be Golden.” Mick Griffin took home Gold or … Continue reading →
November 19, 2013, 10:56 AM
http://www.btlnews.com/community/whos-where/stephe...
Cut+Run announced that editor Stephen Berger has joined the company. Berger will be available to work from any of the Cut+Run offices including Los Angeles, New York, and London.
November 19, 2013, 10:55 AM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK — Industrial Color, Inc. (http://industrialcolor.com), a family of vertically-integrated software, creative production and post production companies, and LA-based Modern VideoFilm (www.mvfinc.com), a 30-year veteran in post production, have entered a partnership that expands the studio’s capabilities to include on-set and in-house dailies services.
November 19, 2013, 10:55 AM
http://provideocoalition.com/ssimmons/story/fare-t...
While prepping for my recent Useful Tools for Editors (as well as the HDSLR Post Production) seminar I clicked over to the Red Giant website to grab a link for one of my favorite little quickie DSLR tools: Magic Bullet Grinder. Grinder has always been a fast, one-stop-shop to prep and...
November 19, 2013, 10:55 AM
http://www.hollywoodreporter.com/behind-screen/hug...
In making Jean-Pierre Jeunet’s lastest film, The Young and Prodigious T.S. Spivet, stereographer Demetri Portelli was out to prove that 3D is creative, and that quality 3D footage could be shot on schedule and on budget. "3D is not just hitting a button in post," he told The Hollywood Reporter.
November 19, 2013, 10:54 AM
http://ae.tutsplus.com/tutorials/motion-graphics/m...
In this tutorial, I will show you how to make any logo burn in from nothing. We will build the effect procedurally so the logo can be switched out with
November 19, 2013, 10:54 AM
http://lesterbanks.com/2013/11/maya-isolate-object...
Demonstrating how to use Object Property nodes in V-Ray for Maya, Timothy Hanson shares a technique to gain more control over render passes by manipulating the alpha channel of a rendered image, offering extra passes for compositing.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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