To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

ENDER’S GAME: Ash Thorp – Creative DirectoR

November 5, 2013, 11:07 AM

http://www.artofvfx.com/?p=5310

Last year, Ash Thorp had explained to us his work on TOTAL RECALL. He has since worked on projects such as IRON MAN 3, HAWKEN or AFTER EARTH. He also created the new logo for The Art of VFX.

The State of 4K

November 5, 2013, 11:07 AM

http://filmmakermagazine.com/77119-the-state-of-4k...

Fall 2013: Click here to read interviews with All Is Lost's J.C. Chandor, The Square's Jehane Noujaim, Blue is the Warmest Color's Abdellatif Kechiche and more...

Create a Seamless Morph Push Transition

November 5, 2013, 11:07 AM

http://ae.tutsplus.com/tutorials/vfx/create-a-seam...

In this tutorial, we'll cover a neat technique using Liquify to do a morph. Instead of morphing from one face to another, we'll morph from a wide shot to a

Learn The Keys To HEVC’s Successful Deployment

November 5, 2013, 11:06 AM

http://blog.streamingmedia.com/2013/11/learn-keys-...

At the Streaming Media West show, taking place Nov. 19-20 in Huntington Beach, we have a session that will provide a practical guide to HEVC deployment for...

Acer CEO resigns

November 5, 2013, 11:06 AM

http://www.engadget.com/2013/11/05/acer-jt-wang-re...

Just 24 hours after one tech heavyweight lost its CEO, another has been forced to bow out of the game. After his company posted a huge loss and wrote off...

INSTAFRAME PLUGIN FOR FCPX FROM CINEFLARE

November 5, 2013, 11:06 AM

http://www.fcpxland.com/instaframe-plugin-fcpx-cin...

You get 20 frames (some with black and some with white backgrounds) and 22 various slide projector transitions that are customized especially for Instaframe.

EXPLORING RELATIONSHIPS BETWEEN TEXTURES

November 5, 2013, 11:06 AM

http://lesterbanks.com/2013/11/maya-exploring-the-...

Offering a look at the relationship between UV pixel density and texture resolution in Autodesk Maya 3D Generaist and Art Director Timothy Hanson shows how to maximize texture resolution in you projects by using a multi-tile UV workflow.

TILT SHIFT PLUGIN FOR FCPX

November 5, 2013, 11:05 AM

http://www.fcpxland.com/tilt-shift-plugin-fcpx-cin...

Tilt Shift is not your ordinary tilt shift effect. It comes with some great unique tools such as Timelapse Simulator and Pan. Easily add a desired frames per second to your footage to create an instant timelapse feel. Not only that, but add a pan mode (any direction) and you have beautiful tile shift images with an instant auto pan that brings your miniature footage to life!

Filmconvert update adds support for Resolve

November 5, 2013, 11:05 AM

http://www.cinema5d.com/news/?p=21670

Filmconvert is a great software that transforms your digital footage into an accurate organic film equivalent by using subtle shifts in color and contrast, specialized for each individual digital camera. The approach is very effective and gives your footage the extra touch it often requires and the app is simple to use. Here’s another major update that adds support for additional cameras and integration in DaVinci Resolve.

FilmLight's Baselight Add A PLUS

November 5, 2013, 11:05 AM

http://www.definitionmagazine.com/journal/2013/11/...

Colour grading developer FilmLight is offering its users a new workflow option for 'uncompromised' grading. Baselight PLUS is supplied as a complete package — including installation if required — with options for editors and with hardware and software support at a new price point.

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